Phil Jackson Quotes
Quotes to Explore
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I don't care if I never see Texas again.
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Never again! I can see no reason for marriage - ever at all. I've had it. Three times is enough.
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There is a serious tendency toward capitalism among the well-to-do peasants.
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Every little action creates an effect: We are all interconnected.
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I really don't believe in magic.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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I'm a sponge for historical images of black people and black history on film.
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I'm a machine man, and I head a machine.
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I got done writing Ports of Call and suddenly realized I have far too much material for the book.
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I tell my students, even if you are an opinion journalist, your opinion should be based on facts.
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You don't make it anywhere without someone helping you out.
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At first, I was just trying to sound like DOOM and Eminem, and then I dug out my own voice, I guess.
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The bonds we create in the household are the most important and lasting. Savor them; they're sacred.
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If priests were allowed to marry, if this would be an optional thing, and if he could have wife and children, he would certainly have less temptation to satisfy certain sexual impulses with minors.
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Americans are good at pursuing happiness. And the Americans who pursue happiness most diligently show that we're also good at running it down and killing it.
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I'm getting rid of this idea that you want people to like you. I'm making decisions on what feels right to me. To act in a more carnal way. That's my challenge.
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To people who traditionally charge $10,000 for a 3D animating app, we say you should be free-to-play and generate a revenue stream. Think of a 3D modeling package almost like an RPG.
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My parents weren't keen on the giving up of school at the beginning to go into singing and dancing, but once they saw I was serious about it, they gave support. I was quite stubborn about my decision, and in the end, they realised it was for the best.
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I came from a home where everybody had a book.
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Like steampunk, silkpunk is a blend of science fiction and fantasy. But while steampunk takes its inspiration from the chrome-brass-glass technology aesthetic of the Victorian era, silkpunk draws inspiration from East Asian antiquity.
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I was the first person from my family to enter films. So, everything connected with films was new to me, including fans and fan clubs.
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I never thought of myself as a writer about religion until a religion came after me.
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The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
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We need to try to regain some home-court advantage.
