Nelson Rockefeller Quotes
Wherever we look upon this earth, the opportunities take shape within the problems.
Quotes to Explore
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I think where we're still a little bit behind some other countries is just our pure soccer knowledge and our savvy on the field. That takes time and generations that have watched soccer growing up, played the game growing up.
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You have to find out how to become the character.
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I come from a theater background, and if you're doing a play, your audience is right there, and you're able to have that one-on-one experience. Doing more TV now, when fans come up to me on the street and talk to me on social media, that's a way to bridge that gap.
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When you make a movie, it's up to so many things and so many people.
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But, I couldn't live without creation gymnastics.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Is it right to shoot the poor prostitute or a woman who is unfaithful to her husband, or a man who loves another man?
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Money and good life had never been my goal.
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There has never been any proper commitment to marketing these artists and their music. We are not Sony.
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Fundamental to everything the ancient Greeks achieved was their conviction that good for humanity was possible only if men were free, body, mind, and spirit, and if each man limited his own freedom. A good state or work of art or piece of thinking was possible only through the self-mastery of the free individual, self-government.
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Conventional wisdom notwithstanding, there is no reason either in football or in poetry why the two should not meet in a man's life if he has the weight and cares about the words.
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Headliners, no matter the genre, usually are a person or band who has an ethos.
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Romance is quite an overblown word. This idea of chocolates and champagne and that's it. There's more to love than that. Romance is quite a soppy word. Love is much more important.
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I was seeing kids my age playing shows at their parents' houses or the couple of all-ages venues that existed. I feel like I saw so many different kinds of music that I wouldn't have discovered on my own.
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My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes. I had a lot of energy as a child - sometimes too much - and I didn't know how to channel it. It was making me suffer. It was bigger than myself, and I was very young.
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I like dialogue in novels. I wanted to avoid laying history on with a trowel - appearing to be lecturing, as opposed to the characters lecturing their children or students. Dialogue can humanise the story and make it go down somewhat more smoothly.
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I like to think of myself as a leader whose door is always open. But I recently learned that an open door isn't enough.
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I knew that if I wanted to stop being a pushover I had to get comfortable with small rejections myself. That took some work, but because of it I can now say 'no' to other people with a clear conscience.
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This world of ours... must avoid becoming a community of dreadful fear and hate, and be, instead, a proud confederation of mutual trust and respect.
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What I want to do with my filmmaking is help kids experience the truth and wisdom of nature no matter where they are, whether or not they have the opportunity to go to a national park.
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There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that was as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands.
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Wherever we look upon this earth, the opportunities take shape within the problems.
