Fred Tomaselli Quotes
A lot of people don't think of my work as being all that funny, but I think it's hilarious!
Quotes to Explore
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It would be incredible to work with Stanley Kubrick and go back in time.
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One of the biggest mistakes people make is to think that what you need to write a novel is imagination, creativity and a facility with words. Yes, you need all those things, but a novel is a highly complex organism that needs to be dealt with in quite a logical manner.
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People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
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I don't care about what people might call my style. It's just like when people call my music 'jangly,' 'dream,' 'oceanside,' whatever - I don't care. I'm just wearing whatever I can scrap together.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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I love talking to people, hearing people's stories; I love honest things.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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The question of boundaries is a major question of the Jewish people because the Jews are the great experts of crossing boundaries. They have a sense of identity inside themselves that doesn't permit them to cross boundaries with other people.
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Tact is the ability to describe others as they see themselves.
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I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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New Jersey is a great place to live. And we have given some of the best talent to the world, from Jack Nicholson, John Travolta, to Jerry Lewis to Bon Jovi to Frank Sinatra.
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The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd Skynyrd and ZZ Top or Merle Haggard.
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Obviously people read the books in order to be entertained.
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One of the first things that I did was, I got myself a publicist as soon as 'Maria Full of Grace' premiered in July, so that I could go and meet people that I wanted to meet: the writers and the directors and the people that are doing things.
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I love people, watching people interact. It's a lot of psychology. We learn about ourselves by watching other people's lives on the screen.
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So much of my work is as Yara, not as a character. If you're attacking my work as a philanthropist or activist, you're attacking Yara. But because of "Black-ish" and this national audience we have, I get to have a larger or louder voice.
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I always try to see the good in everything, and that gives me strength. Even when I lost in the London Olympics quarterfinals, I said to myself, 'Don't lose heart, God has his own plans.' Actually, life just goes on; you have to accept whatever challenge you face and become stronger.
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I wanted to live in the suburbs and have a white picket fence and my own bedroom. And a staircase - I thought having a staircase meant that you were a normal family. I thought somehow if you could transplant us to the suburbs, we would become a normal family. But in retrospect, I'm so grateful I grew up in the Chelsea.
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Chet Faker's a reference to the late Chet Baker. I'm a big fan of his vocal style; it's quite fragile and soft, and that was a style I wanted to take on.
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A lot of people don't think of my work as being all that funny, but I think it's hilarious!
