Abraham Lincoln Quotes
Quotes to Explore
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Be content to act, and leave the talking to others.
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You know what? At the end of the day, funny is funny. I hope to see the end of all the female cliches that are written in a lot of comedies that are named chick flicks.
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It may sound funny, but it's true: I tried to put myself through the 12-step program. I didn't want to attend a real meeting; my role didn't really require that, and I feel those meetings are sort of sacred, and they're anonymous for a reason. I tried to deal with some of my love of snacks - and I relapsed a lot.
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What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'
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In Europe and Sweden, we see boobs on TV, and it's not a big deal. Everyone has them; everyone has seen them.
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Most things I get hired on, I get hired because I improvise something funny, or they just think I look weird.
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Whenever I'm in the U.K., people say I have an American accent. Which is, obviously, funny.
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If I couldn't see the colors, now that would be a problem.
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Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
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If a remake is not good, no one wants to see it and, again, it doesn't hurt the original.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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You will always see big, chunky bags around me. I have always been fond of bags. Bags are extremely essential because I keep my books in them.
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Historical methodology, as I see it, is a product of common sense applied to circumstances.
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I'll see a celadon green room in an 18th century New Hampshire house and just fall in love. Colors stay in my head.
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My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Each time it’s an attempt to get there. To get to see. To get where you can see.
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What is called Nothingness is to be found only in time and in speech. In time it stands between the past and future and has no existence in the present; and thus in speech it is one of the things of which we say: They are not, or they are impossible.
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You got to control your own destiny. You got to keep writin' different stuff. Keep switchin' up and never do the same thing too many times.
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I was in Beijing a month ago working on the smoke project in collaboration with an architect there, and I was asked very directly whether it was safe to breathe in the smoke. They did not have confidence in the museum not to use harmful smoke, and they certainly didn't have confidence that the city would protect them from harmful smoke.
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Regeneration is the cause of faith, not faith the cause of regeneration.
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Tact is the ability to describe others as they see themselves.
