Fred Melamed Quotes
Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.
Quotes to Explore
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When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
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I tell people in Chicago to take care of themselves.
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I did a film called 'Fire with Fire.'
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My 50th birthday approaching felt like a big milestone to me. I've lived half a century. If I write about food and use my life as a fulcrum to move the story along, maybe I've lived long enough to fashion a narrative that has a happy ending.
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If people really knew what they were getting into with their third chemotherapy treatment, or getting a pacemaker when they're 92, if they really knew what that was going to mean, they might say no, and we should give them that information.
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I think writers have to be proactive: they've got to use new technology and social media. Yes, it's hard to get noticed by traditional publishers, but there's a great deal of opportunity out there if you've got the right story.
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All I know is stars and hits, you know what I mean? I don't just sign a guy because he has a hot record. I sign a guy because he's a star. He's a pillar of the community.
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Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.
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I grew up in a village of 12 houses. We had a well and a cow.
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I think with 'Skinwalkers,' the success of it spoke for itself. Meaning a lot of people wanted to see something new on television.
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I would never belong to any club that excluded anybody for race.
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The women I know who have children and have careers, they seem to be very happy. They love their children and they love their jobs. But happiness comes out of being willing to do your work in your twenties to find out who you are, what you love.
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I hate recording all the shows for the week in one day, because I want to be able to mention current events and pop culture. If Madonna punches Britney in the face today, I want to reference that on 'Wine Library TV' tomorrow. Monday's episode is always the best, because it's hot off the press.
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On what can we now place our hopes of solving the many riddles which still exist as to the origin and composition of cosmic rays? It must be emphasized here above all that to attain really decisive progress greater funds must be made available.
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Starting at 11, I was a movie-theater popcorn girl, a babysitter, a sales clerk - in the Midwest, they start them early!
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Art is that which comes to a man, and stands between himself and an implacable witness: the work.
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My husband and I are just really laid back people.
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Tardiness in literature can make me nervous.
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Change is inevitable. Things absolutely cannot stay the same. The type of change we invoke is up to each and every one of us.
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I think casting is everything. You get a great cast and - certainly, as happens in 'The Hour' - so many of those performances on the page were transformed by those actors who took those parts and made it into something completely different.
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I went on a long trip through South America with Prince Charles where I was the only journalist there - a couple of photographers but no other writers.
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The timing for directing is usually because it takes that long to develop a piece and then do pre-production and then post-production. It takes at least a couple of years. I prefer directing to doing other things. Directing and writing seem to be infinitely more creative
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A land that rejects the truth, barricades itself against change and lacks the spirit of freedom is hopeless.
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Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.
