Donald Byrd Quotes
It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.
Quotes to Explore
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Never trust anything that can think for itself if you can't see where it keeps its brain.
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Don't trust anyone over 30.
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As a novelist, I ask of myself only that I tell the truth and that I tell it beautifully.
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The thing I love about vampires that I find so fascinating is that, unlike other sci-fi creations, they aren't monsters from the get-go, they're human beings first... and so what kind of human you are would dictate what kind of vampire you would be.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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I was born by myself but carry the spirit and blood of my father, mother and my ancestors. So I am really never alone. My identity is through that line.
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You don't need to raise taxes on rich people, because they create capitalization and investment. But you need to tax speculation - meaning capital gains.
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Seemed like everything I tried to do in broadcasting and as a player before that turned out successfully. I was succeeding. I got to the top of the heap in every facet of broadcasting.
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I got beat up sometimes in the girls' bathroom.
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Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
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Living in Cape Breton, it's really all about fiddle music, so it's not like there were other instruments out there that tempted me and it was like I had to decide which one. It was automatically fiddle, because it's the predominant instrument in Cape Breton Island.
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I don't know how television or radio is going to survive without newspapers because that's where they get all their news. It's going to be hopeless.
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I originally passed on 'Girls' because I thought TV was evil.
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We must be our own before we can be another's.
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I will try to give my 100% in the field and do my job.
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At no time are we ever in such complete possession of a journey, down to its last nook and cranny, as when we are busy with preparations for it.
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I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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I love the American dream. I feel this is the place I was supposed to be in. It's beautiful. I love it.
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I always have bananas with me for energy.
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For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.
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It feels great seeing posters everywhere, and bus stops promoting 'Black Nativity,' and billboards in Los Angeles. It's overwhelming. I can't wait for everybody to see what I got.
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At the KFC there's, lot of black people there innit *laughs*
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My uncle was the first brown person to have a market stall on Petticoat Lane in the 1960s. He worked his way up from the street. He was homeless, but eventually he got a car so he could sell from the boot. And by the 1980s, he was a millionaire wholesaling to companies like Topshop. So in a way, fashion put me in England.
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It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.
