Donna McKechnie Quotes
It's difficult for writers in the theatre. It's difficult for writers in the theatre.
Quotes to Explore
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I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
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To make oneself hated is more difficult than to make oneself loved.
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Albania is at risk and we are living in difficult times.
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Nobody's going to give you everything on a silver tray. It's going to be difficult.
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The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
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The year 2013 has been very difficult, with a lot of headwinds in almost every region and every business.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
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The cool thing is that, unlike film, the theatre roles for women get better and better as you get older.
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I probably prefer Spanish football to the others. It's very technical, the way they play; they keep the ball well, and whenever Spurs have played against Spanish teams in the past, they've always made it difficult for us.
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When you have an author and an auteur, it's a difficult and challenging relationship.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I suppose I flee to life. I'm most interested when conversations become difficult.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.
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I've never seen anything like it since. Some of the Canada Cups came close, but by then a lot of European players came and played in our league so we were more familiar with them.
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“Who, then, are the seed of the serpent? They are those who manifest that spirit of independent pride by which their father the Devil fell: those who will not acknowledge their own hopeless condition, and submit to be saved by the merits of the Son of God; but will either themselves do what is to be done, or else proudly deny the necessity of any doing at all, and clamour against God—if they have any belief in His existence—because He does not at once gratify all their wishes without any reference to His broken law.
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Language is the ticket to plot and character, after all, because both are built out of language.
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It's difficult for writers in the theatre. It's difficult for writers in the theatre.
