Douglas Coupland Quotes
I've always thought that you live in the present, you live in a specific present. You are writing, present tense, so write in the present as it is.
Quotes to Explore
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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But living in uncertain times does not mean San Franciscans must live in fear.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
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I, for one, am pretty exhausted since I started blogging almost a year ago. But I am blaming that on my two sons, aged 3 and 6, whose perpetual-motion-machine energy is hard to keep up with at my advanced age.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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I like to perform live like we're all just hanging out in my living room. I'm totally casual and informal on stage.
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Gentrification always makes me laugh. People complain about traffic. Live in Atlanta! You can't have it both ways; you can't live in an incredible city and not expect it to get congested.
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I think if we wish to live in any kind of a moral universe, we must hold the perpetrators of violence responsible for the violence they perpetrate. It's very simple. The criminal is responsible for the crime.
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Our forefathers used to live longer and healthy lives.
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I want simply to learn about the world and live freely.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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We all have to let go of the Prince Charming complex and realize he doesn't necessarily exist in the package we assume he'll come in.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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When you come across someone colorful and vibrant maybe in the present it isn't so interesting, but, in the past, it sheds a wonderful light onto living life.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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For me it's a simple sport and a simple way to live these seven or eight years of maximum sport.
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You lose your habitual behavior, which allowed you to sort of zone out. You have to be here, you have to be now, you have to be present.
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I don't have a permanent place where I live. I'm in Atlanta about six or seven months out of the year. I gave up on my place in New York. I don't have a place in L.A., but sometimes when I go there for the hiatus, I stay in temporary housing. It's all over the place, and I don't know where I live!
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I think age is neither an asset nor challenge; it all depends on how you present yourself. Age is sort of irrelevant.
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A libertarian is just a Republican who takes drugs.
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Don't jump on a man unless he is down.
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We all lived in the same house, or most of us did. And as far as I can make out we were confined to the property, because at twenty-four hours' notice we'd have to do a gig somewhere. So you couldn't leave the building for more than twelve hours in case a gig came through.
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I've always thought that you live in the present, you live in a specific present. You are writing, present tense, so write in the present as it is.
