Douglas Coupland Quotes
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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Banking gives you a glimpse into what makes companies succeed and what makes companies fail.
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Strivers achieve what dreamers believe.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
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What you wear onstage is a reflection of your artistry.
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There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.
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If I could do what Hilary Mantel does, I would probably do that. She is more intelligent and a better researcher and knows more what she's about than I do.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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Metaphors have a way of holding the most truth in the least space.
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'The Master' is a wonderful film, honestly, and the actors, Joaquin Phoenix and Phillip Seymour Hoffman, are incredible.
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My instinct is to write under the cloak of an opaque historical setting.
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I learned music from a book on piano theory. I was only interested in knowing about chords. From that, and from the 'Harvard Dictionary of Music,' I learned everything I wanted to know.
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My writing flows out of my doctorhood. They are not separate things. They are one. I think the foremost connection between being a doctor and being a writer is the great privilege of having an intimate view of one's fellow humans, the privilege of being there and helping other people at their most vulnerable moments.
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The American imagination has never been able to fully recover from its white-supremacist beginnings.
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Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. "Ah, you worked with Werner - how was it? How did he direct you?" I was Fassbinder's actor.
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In ourselves our safety must be sought. By our own right hand it must be wrought.
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If you're not a tree hugger, then you're a what, a tree hater?
