Douglas Coupland Quotes
Quotes to Explore
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It's not what you've got, it's what you use that makes a difference.
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You can follow your favorite company or organization. You can also mix that in with your family and your social network and talk about all these interests in real time. That's the value, not the brand 'Twitter.' Twitter just provides the venue for it.
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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I look for my opportunities, not trying to go outside of my genuine realm, because leadership has to be genuine and authentic.
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When decorum is repression, the only dignity free men have is to speak out.
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
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Death is a very dull, dreary affair, and my advice to you is to have nothing whatsoever to do with it.
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The major political battles about guns in our society concern handguns and assault weapons, not long arms like hunting rifles.
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A lot of the things I was doing on the first couple Washed Out releases was very naive.
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I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.
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I love what I do.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
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Every experience is a paradox in that it means to be absolute, and yet is relative; in that it somehow always goes beyond itself and yet never escapes itself.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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I was a political science major in college and dreamed of being a diplomat.
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I think that it’s not as crazily different, my job, from anyone else’s, as people let themselves believe. I think people get wrapped up in their own idea of what it is, but it’s really not that.
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This era in human existence where so much information is out there, it's easy for someone like Donald Trump to use that to make his claim that information is fake news. And there are people who think 'I guess we should believe the President when he says it's fake news.'
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Before I decided to concentrate on writing, I drew pictures and painted, and made Super 8 experimental movies. I was the singer in three rock bands, and I wrote and staged and acted in plays for kids in my neighborhood. So I was kind of all over the place in my interests and far-flung in terms of where my creativity wanted to end up.
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I was such a Jewish princess. My whole life was leading up to marrying a rich man and living on 48th Street.
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The notions she fought with needed more than the simple algebra she’d been grudgingly taught at Lamai Hold. More and more she resented how they had robbed her of this, arguably her one talent, driving her from math and other abstractions by the simple expedient of making them seem boring.
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You can't fake creativity, competence, or sexual arousal.
