Douglas Coupland Quotes
Quotes to Explore
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It's not what you've got, it's what you use that makes a difference.
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You can follow your favorite company or organization. You can also mix that in with your family and your social network and talk about all these interests in real time. That's the value, not the brand 'Twitter.' Twitter just provides the venue for it.
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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I look for my opportunities, not trying to go outside of my genuine realm, because leadership has to be genuine and authentic.
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When decorum is repression, the only dignity free men have is to speak out.
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
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I'm not religious, so theres no church on Sunday.
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Death is a very dull, dreary affair, and my advice to you is to have nothing whatsoever to do with it.
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If I had to live my life over, I'd live over a saloon.
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The major political battles about guns in our society concern handguns and assault weapons, not long arms like hunting rifles.
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A lot of the things I was doing on the first couple Washed Out releases was very naive.
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I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.
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I love what I do.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
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Every experience is a paradox in that it means to be absolute, and yet is relative; in that it somehow always goes beyond itself and yet never escapes itself.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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At tea time, all the noise, greed and aggressiveness of the '80s can be drowned out. For 45 minutes, anyway.
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I'm hardly digging trenches for a living. I'm getting to tap into my boyhood fantasies of being a larger-than-life character.
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I'm never aiming to make a movie like someone else's movie, but in order to describe a movie to someone else who hasn't seen it, you usually have to reference things they have seen.
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I like that in 'Caprica' the virtual world is a new thing. The parents didn't have that growing up. And it's the same thing about the Internet and all the current technology. It didn't exist like it does now for our parents' generation. Kids aren't relating to their parents anymore, and I just find that so honest.
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You can't fake creativity, competence, or sexual arousal.
