Douglas Hodge Quotes
The only way I survived at school was by doing impersonations of teachers and pupils. That led to me winning a talent competition when I was 16; the prize was three or four gigs in working men's clubs. I was just showing off: at the time, I thought that's what acting was.
Quotes to Explore
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The mind moves in the direction of our currently dominant thoughts.
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I found out that there was this project called the 'Great Green Wall' where they wanted to plant trees across the Sahara desert, and the idea was born that I wanted to create a support structure for that initiative.
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I think music needs danger; it needs risk.
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In sum, we took energy for granted, assuming when we flipped the switch, the lights would go on and assuming that there would always be plenty of cheap fuel for our vehicles.
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I was studying political science; I was adamant that I was going to follow in my father's footsteps.
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Local innovation and initiative can help us better understand how to protect our environment.
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Anyone can make an article longer; the skill is keeping it tight and lean.
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I feel very, very, very intent on only releasing things that I believe are fully worthy.
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I'm not a sun person.
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Since the end of the Cold War, Soviet aggression had been replaced by a number of particularly venomous threats, from Timothy McVeigh to Osama bin Laden.
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I've played a lot of elegance and refinement, so to do something really down and dirty is a great attraction.
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The key to fashion is, you don't want to look like you're trying. You've gotta be natural.
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If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.
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I didn't go out of my way to get into this movie stuff. I think of myself as a writer.
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I'm bringing what I've always wanted: film quality work on television. That's the way it should be.
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A soccer game is a Wagner opera. The narrative sets up, the tension builds, the music ebbs and flows, the strings, the horns, more tension, and suddenly a moment of pure bliss, trumpet-tongued Gabriel sings, and gods descend from Olympus to dance - this peak of ecstasy.
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I'm a hoot and a half, I like to think.
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I was raised on NBC television.
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My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'
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I see the human in everyone and everything. No one is more important than anyone else; I still hang out with my high school friends.
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I remember shooting a show in Australia and I was having to leave and come home all the time. And I remember I was leaving for two months and I wept for like 12 hours on the plane because I wasn’t going to get to see him. So yes. I can relate to the young love thing. … But it was only four years - and not that many boyfriends ago.
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But my role is to just apply the skills I've learned over the years: you listen to the guitar, you listen to the vocal melodies, you listen to the rhythm, and you come up with something that helps you take the song somewhere.
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The fun is in always building something. After it's built, you play with it awhile and then you're through. You see, we never do the same thing twice around here. We're always opening up new doors.
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The only way I survived at school was by doing impersonations of teachers and pupils. That led to me winning a talent competition when I was 16; the prize was three or four gigs in working men's clubs. I was just showing off: at the time, I thought that's what acting was.
