Douglas Kennedy Quotes
I've been known to write on the Underground in London and on the subway in New York. I have two or three cafes in Paris that I go into. I find a corner with a little shade, and I can work.
Quotes to Explore
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A dame that knows the ropes isn't likely to get tied up.
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You have to interpret what's hot to make it work on yourself. If tweed suits are in, but you're not a suit kind of girl, wear the jacket with jeans and a pair of Converses.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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I think one problem we've had is that people who are smart and creative and innovative as engineers went into financial engineering.
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I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.
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Sometimes I'm not even aware of some of the issues going on with me in my life until I sit down and start kind of looking for inspiration, trying to find something that inspires that creativity.
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I live with my mum and my nan. I think I will leave eventually, but not at the moment when they look after me so well. If you came to my house, they'd make you eat something.
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I personally don't think ginger men have a habit of being attractive. We have to make ourselves seem attractive by doing stuff.
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Embrace the grease, if any, and look fresh and human. I like to look like a glazed doughnut.
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I get mad quick and and go off at the handle quick.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I don't know if I would call myself a religious human.
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My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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People have given me the freedom and believe in me enough to say if I want to do these things that I will find a way to make it work. I don't know if they think I'm crazy, drug damaged or just an old weirdo.
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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I would like to have the original ending to my Lord of the Rings instead of the one they released. In my original cut I had the victory at Helm's Deep as the final sequence.
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With so many of our fundamental rights hanging in the balance, it is not good enough to simply roll the dice, hoping a nominee has changed his past views. It's not good enough to think, 'This is the best we can expect from this president'.
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I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
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When somebody asks me what a song or a line is about, I feel like I'm not done writing it yet.
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A thing of beauty is a joy forever: its loveliness increases; it will never pass into nothingness.
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I do think that even with entertainment and telling stories, people in the entertainment industry have such a beautiful position in the world to speak about things that they're passionate about in a way that can grab people more than just sitting and telling someone about something, because you can show it visually.
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I've been known to write on the Underground in London and on the subway in New York. I have two or three cafes in Paris that I go into. I find a corner with a little shade, and I can work.
