Dries van Noten Quotes
Quotes to Explore
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The want of money is the root of all evil.
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I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
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They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good.
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At the present moment, the security of coherent philosophy, which existed from Parmenides to Hegel, is lost.
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My dream was to play in good films, no matter in what country. I always waited for a decent script, and nothing has changed. I'm just sure that nothing in life is random, and I believe in the fate which guides you. Probably my starring in 'A Good Day to Die Hard' is good proof of that.
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All of my relationships have happened organically with people who are super cool and in my life and it just moved into a relationship zone.
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Death is so important that God visited death upon his own son, thereby helping us learn right from wrong well enough that we may escape death forever and live eternally in God's grace.
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I've been writing songs since I was at least 20. That's what I wanted to do before I became a model.
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When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat.
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I am a sound freak. I could play around with sound forever.
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Small ideas won't help Illinois' future.
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I can't deal with someone flashy. That's so not me.
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When a marriage culture fails, sexual desire no longer unites; instead it fragments.
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Warner Bros offered me the next Batman, and the only reason that I didn't do it was because of The Saint.
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I really don't know the secret to it, but I'd like to think my desirability is a combination of my personality, my image, and, most importantly, the kind of films I do.
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I could sing in English before I could understand it because I phonetically learned it from the musicals.
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I was willing to accept what I couldn't change.
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I'm not an actor who appears on the stage and gives people advice on how to live or what to do and entertains them. It is not my specialty.
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Let's face it: the present self is present. It's in control. It's in power right now. It has these strong, heroic arms that can lift doughnuts into your mouth. And the future self is not even around. It's off in the future. It's weak. It doesn't even have a lawyer present.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
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I think about issues like climate change, and how six of the 10 worst impacted nations by climate change are actually on the continent of Africa. People are reeling from all sorts of unnatural disasters, displacing them from their ancestral homes and leaving them without a chance at making a decent living.
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I just felt like I had to create a life for myself where I was more independent.
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I try to be as independent as possible.
