Bonnie Bedelia Quotes
I've had some interesting roles along the way, but they tend to be cause-driven. They're always about something. There isn't time for character work as an actor because you're fighting the cause or mourning the child or fighting the disease, etc.
Quotes to Explore
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Sometimes you've got to know when it's time to leave the party.
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Deficiency motivation doesn't work. It will lead to a life-long pursuit of try to fix me. Learn to appreciate what you have and where and who you are.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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I feel 'proud' whenever I feel that I've worked on something for a certain amount of time with a certain amount of attention. I'm not sure if I think in terms of 'pride' though.
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Our enemies can deal a blow to us any time they wish. They did not wait for permission to do this. They do not deal a blow with prior notice. They do not take action because they can't.
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When you choose your friends, don't be short-changed by choosing personality over character.
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I don't think you have to be in these serious, heavy, independent little movies to be an actor. Some of the most interesting acting I've seen is on cable television.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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In school I was in the dark room all the time, and I've always collected stray photographs; there's a great deal of memory in them.
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By the time we enter this work world and we're breadwinners, we enter a world that's just cluttered with spam, fake, digital friends, partisan media, ingenious identity thieves, world-class Ponzi schemers - a deception epidemic.
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I love it when people travel to see one of my works, and I always make time to meet and talk with them.
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Cognition is not fighting, but once someone knows a lot, he will have much to fight for, so much that he will be called a relativist because of it.
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Just about the entirety of the first album, 'Brown Sugar,' I wrote it, the majority of that record in my bedroom in Richmond. And all of the demos for it were done on a four-track in my bedroom. I think EMI was a little leery of me being in the studio producing it on my own, which is what I was fighting for.
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I am happy with the response I am receiving for 'Kaabil.' Audiences' love is what we work for, after all.
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I think when you're done with work, you go home.
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'Hamlet' is so modern; 'Coriolanus' is utterly alien to our consciousness, and that makes it difficult for us.
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The pictures remind you of something that can never be recaptured, the time is gone, the only thing you know is the present. That's all that's knowable and even the present isn't knowable. The present becomes the past... so you really don't know anything.
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That is love, to give away everything, to sacrifice everything, without the slightest desire to get anything in return.
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Honest communication is a rare thing.
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I've had some interesting roles along the way, but they tend to be cause-driven. They're always about something. There isn't time for character work as an actor because you're fighting the cause or mourning the child or fighting the disease, etc.
