Jacques Roumain Quotes
Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
Quotes to Explore
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Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.
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If someone says, 'I love that lipstick,' I will always try to answer, honestly, if I know what color it is. It's a connective tissue.
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'Die Antwoord' just has a nice ring to it.
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When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
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Ten people who speak make more noise than ten thousand who are silent.
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Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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I had gone full-on folkie; I'd had it with bands.
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We should not give up and we should not allow the problem to defeat us.
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I'd say Juventus has a story as legendary as the Yankees.
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I'm often drawn to characters that are more obviously one thing. They're passionate, and there is always an element of strength because I think every person possesses that in some way, even if they've experienced hardship in their lives.
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Being confident in your own skin is very sexy. I think when you have fun and are yourself that is sexy too.
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I love being in a courtroom.
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I came into this league by myself, and I'll leave by myself.
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There is a sufficiency in the world for man's need but not for man's greed.
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Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
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I think the 19th century is an extraordinary period with a welling up of creativity and all kinds of experimentation and exploration going on at least until 1940.
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I feel like if you're a really good human being, you can try to find something beautiful in every single person, no matter what.
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Nothing is black or white, nothing's 'us or them.' But then there are magical, beautiful things in the world. There's incredible acts of kindness and bravery, and in the most unlikely places, and it gives you hope.
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I started out in journalism in the mid '90s working for the sister wire service of the 'Wall Street Journal,' which is called Dow Jones Newswires. Then I joined the 'Journal' in its Brussels bureau back in 1999.
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By the way, intelligence to me isn't just being book-smart or having a college degree; it's trusting your gut instincts, being intuitive, thinking outside the box, and sometimes just realizing that things need to change and being smart enough to change it.
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But I think one of the reasons I tend to stay in the water most of the time is I distrust the comfort.
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Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
