Jacques Roumain Quotes
Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
Quotes to Explore
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Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.
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If someone says, 'I love that lipstick,' I will always try to answer, honestly, if I know what color it is. It's a connective tissue.
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'Die Antwoord' just has a nice ring to it.
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When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
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Ten people who speak make more noise than ten thousand who are silent.
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Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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I had gone full-on folkie; I'd had it with bands.
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We should not give up and we should not allow the problem to defeat us.
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I'd say Juventus has a story as legendary as the Yankees.
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I'm often drawn to characters that are more obviously one thing. They're passionate, and there is always an element of strength because I think every person possesses that in some way, even if they've experienced hardship in their lives.
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Being confident in your own skin is very sexy. I think when you have fun and are yourself that is sexy too.
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I love being in a courtroom.
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I came into this league by myself, and I'll leave by myself.
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There is a sufficiency in the world for man's need but not for man's greed.
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Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
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I think the 19th century is an extraordinary period with a welling up of creativity and all kinds of experimentation and exploration going on at least until 1940.
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I feel like if you're a really good human being, you can try to find something beautiful in every single person, no matter what.
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Every time a puck gets past me and I look back into the net, I say, 'uh-oh.'
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One of the most stubborn barriers to patient empowerment is the cultural assumption that since the way professionals learned was hard, you must need to be really smart, and you need to be taught in a carefully thought out, methodical sequence.
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We've got this proposal which has been languishing in the legislature, the Water Legacy Act, which is derived from a Republican task force on protecting the Great Lakes. Yet nothing has been done on it.
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And lastly from that period I remember riding in a taxi one afternoon between very tall buildings under a mauve and rosy sky; I began to bawl because I had everything I wanted and knew I would never be so happy again.
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Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
