Mary Lambert Quotes
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I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.
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It's taken me a long time to enjoy shopping. As a plus-size girl, you walk into a store, and it can sometimes be like a designer doesn't know you exist. It's become a fun treasure hunt.
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I think artists are scared to have same-gendered pronouns in their writing, and I don't think it's because they're scared to be out, because gay artists are visible, but they don't want to alienate an audience.
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So I want to make money. I think it's an OK goal to have. I always felt like I can't ask for that. But why not?
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I was bartending when I recorded 'Same Love,' and when it was on the radio, too. I remember overhearing people talking about the song while I was making them drinks.
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Before I got on full-time medication, I believed that my mental disorder was the reason I could create so much and create well, because it made me crazy. I could go to these dark places and then come out of it and just be human again.
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I'm not dieting anymore. I want to eat what my body is asking of me. Just listen to your body in general - it's all self-awareness.
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I'm one of the writers that would die if I didn't say what I needed to say. For me, it's a matter of survival to write.
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It's a really skewed part of our culture that happiness is the end-all be-all. The people that force themselves to be happy all the time often end up being the most broken.
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Body love is more than acceptance of self or the acceptance of the body. Body love is about self-worth in general. It's more than our physical appearance.
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I came out when I was 17 - coming out in middle or high school is one of the most difficult things that anyone could experience. I wouldn't wish it on my enemies.
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Going from someone playing 15-people venues to performing at the Grammys, it was this giant leap and sort of showed me it was possible with what I wanted to do and the kind of music I wanted to write and artist I want to be to impact a lot of people.
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I would sing to my Beanie Babies, and I sort of created this alternate universe where I was famous, and there were thousands of people that I was singing to.
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Self-care is the number one solution to helping somebody else. If you are being good to yourself and your body and your psyche, that that serves other people better because you will grow strong enough to life someone else up.
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I like to think that my music allows people that cathartic cry.
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For me, writing is just processing.
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When I came out, I said, 'I'm going to be a proud gay artist.' I'm not going to be Melissa Etheridge. But she's a goddess!
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That's why fame freaks me out in a lot of ways - because how genuine of a connection can you have when you're a commodity, and a conversation with you means bragging rights? That's terrifying to me.
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Being in Los Angeles is this brutal awakening, where I feel not good enough as soon as I walk into a room, and I'm wearing the wrong thing, or I don't have enough make up on. It's all about image.
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I knew when I shot the 'She Keeps Me Warm' video that the comments were not going to be homophobic... that they would be about fat-shaming. I'm a large girl making out with somebody. I knew just that sheer fact would set people off.
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In my field, you can't really wear the same dress twice unless you want Isaac Mizrahi to scorn you on TV.
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I have gained so much more from my experiences of being open and loving humanity rather than being jaded and being closed-off.
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As I got older, I fell in love with Radiohead, and 'OK Computer' is one of my favorite albums of theirs. Sonically, the tone of the guitars on tracks like 'Electioneering' just rips right through me.
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The thing I really love about my fans is the vulnerability and openness, the crying and the hugs. They are so kind.