Mary Lou Williams Quotes
Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldn't consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.

Quotes to Explore
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I think success is very hard work, so, you know, if you work hard and you have some success, you have to give up something.
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Once I discovered how important writing music was to me and just what a huge weight it lifted off of me, I knew that it was going to be the biggest part of my life, the biggest love of my life, the biggest thing in my life.
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I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
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What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
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I never really did any disco dancing.
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I've been grateful that 'Time's' reach and mandate is so broad; anything you're interested in, you can usually write about.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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Once you've built the big machinery of political power, remember you won't always be the one to run it.
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It's hard to sell a brand without having a face to it.
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Love is a credulous thing.
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You don't want to get stuck with a record that you've done with someone that you feel obligated to put out - that's not really dope, just because you made an effort to get together and work.
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Poor people have more fun than rich people, they say; and I notice it's the rich people who keep saying it.
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The Negro was a political football between his former slave master and Northern political adventurers. The economic basis of this contest was the power to tax, to float bonds, to award franchise: in short, to gain control over the financial resources of the newly organized States.
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I am an actor who doesn't believe in carrying an 'image' in the industry. I don't want to get trapped in an image.
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Education is that whole system of human training within and without the school house walls, which molds and develops men.
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The thing that I really love about film is that it is with you forever - it goes to your children, and they get to see it again and again and have it forever.
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I was a real daydreamer at school, gazing out of the window and losing myself in imaginary worlds.
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I did not make this film about Frank Abagnale because of what he did . . but because of what he has done with his life the past 30 years.
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I can go days without meaningful human interaction.
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I know that some of the finest writing I've ever read has been sports writing, whatever the topic was, whatever the sport they were writing about. It seems to be an area where people are allowed a little more leeway than when they're reporting on traffic jams and city-council meetings.
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If Wanda can control more than 20 per cent of the world's three most important film markets - the United States, Europe and China - then it will have an empire with great voice in the industry.
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I don't think I'm portrayed in the media the way I really am - but then who is?
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Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldn't consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.