Pauline Kael Quotes
Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces; he is the artist as clown, as conjurer, as master funmaker.
Quotes to Explore
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I joined a radical group at the age of 16 because I'm a passionate man; the good news is that I turned myself around since then. But my character is still quite free and passionate.
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I was in a commercial for the Disney channel. I was the camp leader for the campers.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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The success of 'The Shadow of the Wind' made me very happy, but it did not change my perspective or the way I was.
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I live with my family. I moved to L.A. eight years ago, and it's the same room. But I'm looking now. I might get a condo.
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I find the whole situation of confronting an audience terrifying.
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I want some colleague to be free to come help me when I say the time has come. That's what I'm fighting for, me. Now that sounds selfish. And if it helps somebody else, so be it.
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We have to be aware of our fragilities as human beings - when we see cruelty, to understand that in certain conditions, we could be cruel, too.
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An ounce of performance is worth pounds of promises.
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I have my faults, but changing my tune is not one of them.
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The Tao that can be told is not the eternal Tao; the name that can be named is not the eternal name. The Nameless is the origin of Heaven and Earth; the Named is the mother of all things.
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I don't know that I would want to be married again, but I do love companionship.
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My whole life is a theater piece.
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It is a poor cause which has to be lied for regularly.
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The poverty program was not designed to eliminate poverty.
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The events in the square, of course, made a deep impression on me and many other parents.
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Gujarat is the fourth state in the world where we have a separate climate-change department.
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Public appearances are a headache. I hold mine down to a minimum.
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I think I surprise myself.
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On the one hand, society needs a common faith and vigorous institutions with the power to coerce; and on the other, the individual as a human soul or as the bearer of a new and possibly saving heresy, must be free. It is difficult enough to reconcile these two needs, but the problem holds another hazard: the need of action under the pressure of time.
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Any form of art is a form of power; it has impact, it can affect change - it can not only move us, it makes us move.
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Every artist will one day face the moment when he or she is doing what he or she does after the style has passed and the art-world heat-seeking machine has moved on.
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Shutting one's eyes is an art, my dear. I suppose there's no use trying to make you see that - but that's the only way one can stay married.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces; he is the artist as clown, as conjurer, as master funmaker.
