Rafael dos Anjos Quotes
Quotes to Explore
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I think knowing where you can generally fit is important, but the fun thing about being an actor is sometimes stretching beyond that stereotype and stretching beyond the box that people put you in.
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Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
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If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.
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I screen tested for 'The Tudors' in N.Y. That was my first experience of N.Y., being flown here to screen test with Jonathan Rhys Meyers. So I have very, very fond memories of New York – New York helped give me my first big break.
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When I sing, people shut up.
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The Midwest breeds funny, eccentric people, to varying degrees. You play shows not because you're expecting to get a record deal, but to do something fun outside of mowing lawns. Everything else is just gravy... Or mustard.
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I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
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Education is a way of empowering people; it opens up so many doors and is fundamental to everybody. And teachers are not often appreciated in the way that they should be.
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I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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It's the comedy that guides me. The acting and all that stuff comes second. It's equally important, but I just try to do that as best as I can.
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If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.
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It's real nice and exciting for me to break the records, but it's more exciting for me to be on a winning team.
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Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
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I had the strong sense that I really wanted to be a SEAL, and I started thinking, 'Look, I don't ever want to look back and feel I have any regrets.'
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.
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I don't take it very seriously. You shouldn't let your success get to your head or failure get to your heart. This is most commonly said. But people don't really practise it. I don't see myself as a celebrity; it has not sunk in. I just see myself as someone doing a nine-to-six job like a techie.
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Remember, a dead fish can float downstream, but it takes a live one to swim upstream.
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I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.
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Telling stories has been a compulsion of mine since I could physically say, 'Once upon a time...' But in high school, I realized I could study creative writing in college and actually pursue it as a viable career.
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If you don’t call it art, you’re likely to get a better result.
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The radical hostility, the deadly hostility against sensuality, is always a symptom to reflect on: it entitles us to suppositions concerning the total state of one who is excessive in this manner.
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It doesn't matter who they put in front of me, I just want people to remember me.
