Brad Garrett Quotes
In standup, it's just you. You're your own writer, your own critic, your own director, and it's never the same. You really don't always have it down. Your continue to learn, you continue to risk, and I really love it.
Quotes to Explore
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I grew and learned, journeyed and understood, that someone who is afraid of failing won't get anywhere, and someone who dares to do it runs the risk of failure if they don't learn, correct their mistakes, and get back up.
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Albania is at risk and we are living in difficult times.
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Trump doesn't force the networks to show his rallies live rather than do real reporting. Nor does he force anyone to accept his phone calls rather than demand that he do a face-to-face interview that would be a greater risk for him.
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The blessings wrestling has given me have allowed me to find some new passions, but it's really hard when you've got that first love, and nothing really replaces it.
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We got government off the backs of the people of India, particularly off the backs of India's entrepreneurs. We introduced more competition, both internal competition and external competition. We simplified and rationalized the tax system. We made risk-taking much more attractive.
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The biggest danger for any organism is to not identify that it's being threatened. I want to hope that people realize that the source of danger and risk in the Middle East is not the Israeli-Palestinian conflict but the deep radical Islamic vision of forming a global caliphate.
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I held a conference in Harvard where Americans said they didn't believe in risk. They thought it was just European hysteria. Then the terrorist attacks happened and there was a complete conversion. Suddenly terrorism was the central risk.
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I definitely had a hard time leaving for college because I'm not much of a risk-taker.
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What strategic benefit would accrue from having Montenegro as an ally that would justify the risk of our having to go to war should some neighbor breach Montenegro's borders?
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You can measure opportunity with the same yardstick that measures the risk involved. They go together.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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Look at this, scabs and cuts all over me, I get these every night, every game. They can't tell you that you're not at risk, and you can't tell me there's one guy in the N.B.A. who hasn't thought about it.
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As an assistant operations officer for a helicopter task force in Iraq, I saw my fellow Guardsmen and soldiers risk life and limb to maintain diesel fuel supply lines.
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I think that if your approach is one where you don't want to alienate anybody, you're going to have to soften the viewpoint or the information that you're offering to such an extent that it doesn't have the power to make any difference. You have to take that risk.
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Philanthropy is often seen as society's risk capital. That means the onus is on philanthropists, nonprofit leaders and social entrepreneurs to innovate. But philanthropic innovation is not just about creating something new. It also means applying new thinking to old problems, processes and systems.
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You can't say the public likes generic characters. Give others a chance, go for a more rooted and honest characterisation, take some risk, and then let the public choose.
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If a jerk burns the flag, America is not threatened, democracy is not under siege, freedom is not at risk.
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It's not just in Hollywood that women run the risk of being passed by once they reach 50. It happens in real life, too.
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Versace was and still is about the sophisticated woman who is elegant, not afraid of her own sensuality, and not afraid to dare or take risks in life.
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I mean, I don't like anyone who likes themselves too much.
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After being in a studio, working on games stuff, I'm like, 'Oh my God, I wish I could just sit in my room for a week and listen to music and draw by myself.'
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But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
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The people who are No. 1 are No. 1 for a reason.
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In standup, it's just you. You're your own writer, your own critic, your own director, and it's never the same. You really don't always have it down. Your continue to learn, you continue to risk, and I really love it.
