Philip Johnson Quotes
Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.
Quotes to Explore
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I guess I'm lucky that I've been able to play a wide range of parts and a wide range of types of productions - I haven't felt much typecasting.
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When I was in college, I was always saying I was a socialist.
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We live surrounded by critics, so let them talk, let them criticize me as much as they want. Ultimately, that makes me a better player.
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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People are realizing that color has no bearing on what's known as brotherhood.
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I said 'It can't go on' and he said 'No, it can't.' Honestly, I don't think I could have mattered less to him by then. But by then, nothing mattered to him.
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Talking about stepping down in five years is frankly not a topic of particular actuality now.
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I have a feeling when I'm 80 years old I'm going to get a phone call: There's going to be another Rocky.
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Everyone has a breakup in their lives, and I think everyone should experience love.
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I have never anticipated success. I choose work, give it my best shot, and leave it.
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I would kiss you, had I the courage.
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I think increasingly we want to read the history that wasn't written by the victors.
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There's just something about dance. It's like a primal thing in all of us.
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If you look at that 2008 Democratic primary, there was no more formidable, unstoppable candidate - other than an incumbent President - in modern times than Hillary Clinton.
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Shakespeare pulls on us and demands the best of us. You never successfully wrestle one of his plays to the ground and say, 'See? That's It!'
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I was one of the only people of color at my grade school and also my high school. It's weird recollecting on my childhood, I think, because my brothers are all white. We all share the same father but different mothers. I guess I kind of associated white, but I was occasionally reminded in a really negative way that I wasn't.
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Everyone Instagrams all the people they are with. I get that it's part of the job. But there's a point where it's like, 'Can't you just be a person and have a separate life to your job?'
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I could fill an entire second life with working on my prints.
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The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I have on a big budget film as well, but they're just much bigger.
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I liked being married instead of the girl who's looking for a guy.
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Love, indeed, lends a precious seeing to the eye, and hearing to the ear: all sights and sounds are glorified by the light of its presence.
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I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
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However muted its present appearance may be, sexual dominion obtains nevertheless as perhaps the most pervasive ideology of our culture and provides its most fundamental concept of power.
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Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.
