Mary Steenburgen Quotes
It's very easy to approach a character like that - a so-called strong woman who overcomes the odds - and give a one-note performance, playing that strength alone. Strength is only one thing a person has.

Quotes to Explore
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Nobody can teach what is inside a person; it has to be discovered for oneself and a way must be found to express it.
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Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
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Beauty pageants work as a platform from where you can reach out to many.
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Now and always, hard-line policy and those who embrace it are vessels for darker forces that are at once self-cannibalizing and combustible. No good can come of them. They are unsustainable because their sense of righteousness denies human worth.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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It gets pretty boring when all you are is the support system for a male character.
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The lovers of romance can go elsewhere for satisfaction but where can the lovers of truth turn if not to history?
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DURING the first years of my service in Dr. Flint's family, I was accustomed to share some indulgences with the children of my mistress.
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The radio even weren't allowed to say there was a Holocaust and people were being killed right, left and center in these terrible camps.
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For a writer, they say write what you know. As a performer, you find it in yourself, in your heart. You relate to the character. You try to live it, try to have it be real for you.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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Together, we can build a stronger, more innovative New Hampshire, where our businesses can grow, flourish, and create good jobs for our people.
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Abstaining is favorable both to the head and the pocket.
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I left my mark on 'Dark Shadows.' One day I was doing my lines perfectly from Act 3. Everyone else was doing Act 2.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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What then is time? If no one asks me, I know what it is. If I wish to explain it to him who asks, I do not know.
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I think the best thing I can say about it - and I think the best thing you can say about anything, really - is that 'The Motorcycle Diaries' made me feel like my home was bigger; it made me feel at home anywhere in Latin America.
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Just because you do not take an interest in politics doesn't mean politics won't take an interest in you.
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Many psychoanalysts refused to let me speak at their meetings. They were exceptionally vigorous because I had previously been an analyst and they were very angry at my flying the coop.
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I can hardly decide what plays I should be in.
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I've always found that no matter how much you spend on a movie - you can spend sixty dollars or sixty million dollars - if the movie's good, it's good.
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Now what's important is that they have an attitude. Everybody has a look, but not everybody has cultivated what their stage persona is. And so when you're dealing with actors, it just makes it more difficult, because you have to help them come up with one. You know, Johnny Depp has no Johnny Depp character when he's onstage. You haven't seen An Evening With Johnny Depp at Carnegie Hall.
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It's very easy to approach a character like that - a so-called strong woman who overcomes the odds - and give a one-note performance, playing that strength alone. Strength is only one thing a person has.