Mary Steenburgen Quotes
It's very easy to approach a character like that - a so-called strong woman who overcomes the odds - and give a one-note performance, playing that strength alone. Strength is only one thing a person has.
Quotes to Explore
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Nobody can teach what is inside a person; it has to be discovered for oneself and a way must be found to express it.
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Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
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Beauty pageants work as a platform from where you can reach out to many.
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Now and always, hard-line policy and those who embrace it are vessels for darker forces that are at once self-cannibalizing and combustible. No good can come of them. They are unsustainable because their sense of righteousness denies human worth.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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It gets pretty boring when all you are is the support system for a male character.
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The lovers of romance can go elsewhere for satisfaction but where can the lovers of truth turn if not to history?
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DURING the first years of my service in Dr. Flint's family, I was accustomed to share some indulgences with the children of my mistress.
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The radio even weren't allowed to say there was a Holocaust and people were being killed right, left and center in these terrible camps.
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For a writer, they say write what you know. As a performer, you find it in yourself, in your heart. You relate to the character. You try to live it, try to have it be real for you.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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Together, we can build a stronger, more innovative New Hampshire, where our businesses can grow, flourish, and create good jobs for our people.
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Abstaining is favorable both to the head and the pocket.
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I left my mark on 'Dark Shadows.' One day I was doing my lines perfectly from Act 3. Everyone else was doing Act 2.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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What then is time? If no one asks me, I know what it is. If I wish to explain it to him who asks, I do not know.
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I think the best thing I can say about it - and I think the best thing you can say about anything, really - is that 'The Motorcycle Diaries' made me feel like my home was bigger; it made me feel at home anywhere in Latin America.
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I enjoy money.
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My family went through divorces and remarriages and the later, blended home - and then watched that home explode, too.
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I felt that the IRA, in the context of Irish history, and Sinn Fein were a legitimate force that had to be recognized, and you wouldn't have peace without them.
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It's very easy to approach a character like that - a so-called strong woman who overcomes the odds - and give a one-note performance, playing that strength alone. Strength is only one thing a person has.
