Quincy Jones Quotes
When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
Quotes to Explore
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When I went to drama school, I knew I was at least as talented as other students, but because I was a black man and I wasn't pretty, I knew I would have to work my butt off to be the best that I would be, and to be noticed.
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Actions yield result by the ordinance of God as He wills.
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For the record, I believe elected officials should talk about faith. Our founders believed the moral principles of faith were indispensable to our nation's survival. The Declaration of Independence mentions God four times.
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Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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I feel the need to work with my wife, Lena Olin, again.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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If you want to accomplish twice as much, you have to work twice as hard.
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I've seen myself on those lists of the 100 best guitarists, and if they think that I'm that good, thank them. Thank God for them. But I don't think so.
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Just for you to know, people, models, are very smart. We're investing money in the right way, and, you know, a modeling job I'm taking as a businesswoman. So it's not fun for me; it's work.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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He who builds a masjid in the way of Allah, God will build a house for him in the paradise.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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My ideal relaxation is working on upholstry. I spend hours in junk shops buying furniture. I do all the upholstery work myself, and it's like therapy.
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All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
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I find it's really hard for anybody to meet anyone. I'm not big on dates anyways. I still have to work that out.
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I would love to work with Jack White or Kanye West.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy.
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I think it's important that your first film be your worst film, that one's life trajectory should go up.
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Sleep, my little one, sleep.
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There's something just so kind of smooth about politicians.
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Lighting practically whenever I can when shooting period really helps with authenticity.
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When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
