James Cromwell Quotes
First lead [in a movie] requires a different approach like trying not to give it all away in the first scene. It is a skill, a learned skill.
Quotes to Explore
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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I think what human beings need is to be able to laugh at the absurd, hold on to ambiguity, and learn to love nuance, instead of making everything one or the other, and structurally, so much of the Internet and online publishing doesn't have room for any of that.
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What can I know? What ought I to do? What can I hope?
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I'm not the type of person to have a schadenfreude.
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What makes me happy is the appreciation of people around me.
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Being a model, you're always the product of somebody else's vision.
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Every different director has another language - for instance, Hitchcock does not like any bright color ever, unless the story says 'there goes the girl in a red dress.'
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I don't know about whether I thought I would make it this big.
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People will say, 'Just one picture please.' That is how it starts. There is just one picture and then somebody else wants another. And when I say 'No' I feel guilty.
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Anyone can make an article longer; the skill is keeping it tight and lean.
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I am hopeful that no one will forget what happened in Bosnia.
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I'm addicted to 'Scandal.' Joe Morton is the devil, and I love him. I am addicted to 'Boardwalk Empire.' Jeffrey Wright is the devil, and I love him.
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I care not much for a man's religion whose dog and cat are not the better for it.
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I just come from a school where you have to win something to be accepted.
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I want to reach the heights of stardom beyond my imagination.
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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When I lived in India, I'd speak like an Indian to get good prices while shopping. I'm good with accents.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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I don't like when I watch a fight in a movie that's perfectly worded and very articulate. If you were able to be that composed, you wouldn't be fighting! Fighting in real life is sloppy.
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I feel very much aware of my mortality. I'm here, and then I'm not. It's the same thing with everything else: the movie comes out, and then it's gone. Everything is changing all the time, and I'm not going to stress out and spend my entire time chasing something that ultimately doesn't exist.
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I think I would have been a writer, anyhow, in the sense of having written a story every now and then, or continued writing poetry. But it was the war experience and the two novels I wrote about Vietnam that really got me started as a professional writer.
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The writing career is not a romantic one. The writer's life may be colorful, but his work itself is rather drab.
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Sometimes if you start a relationship when you're young, you're not as fully developed as a person. You need a relationship that lets you develop in different ways. You need to bounce off different people.
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First lead [in a movie] requires a different approach like trying not to give it all away in the first scene. It is a skill, a learned skill.
