Bradley Whitford Quotes
You need to be real enough to be believable, but you don't necessarily have to be real enough to be real. There is a distinction.
Quotes to Explore
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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I grew up with Apocalypse Now and Badlands, so I had a real awe thing going.
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Sometimes the kids come up with better endings than the real story.
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The talk about balance, nuclear balance, seems to me to be metaphysical and doesn't seem to be real at all.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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A screenplay is really a blueprint for something that will be filmed. Therefore you must always keep in mind that whatever you write is going to be staged, for real.
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It is only through such real-life daily struggles and challenges that a genuine sensitivity to human rights can be inculcated. This is a truth that is not limited to school education: it applies to all of us.
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I want to describe the psychological state of the people in a certain city.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Authentic power is the real deal. You can't inherit it, buy it, or win it. You also can't lose it. You don't need to build your body, reputation, wealth, or charisma to get it.
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I can't do it every day. They're not going to give me much to hit right now. They're pitching me real well. If I get there, fine.
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My only real advice to Oscar nominees is, 'If you haven't actually seen a competitor's film, don't fib and say you have and blow smoke up their wahooziewhatsits.' Always best to be frank and tell them the truth.
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Over my career, I've reinvented myself numerous times. I covered the Pentagon, the State Department, and the CIA. I wrote about labor wars, trade wars and real wars. I chronicled a nuclear plant meltdown and the defeat of Communism. I co-founded a couple of media businesses.
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With modelling, you provide an image that is fake; with acting you have to provide an image that's real.
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The real being of language is that into which we are taken up when we hear it - what is said.
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If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
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I'm awkward at these things. Just being nominated for an Academy Award for Best Supporting Actor for Karate Kid was a real surprise and I was a little uncomfortable.
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Man's real life is happy, chiefly because he is ever expecting that it soon will be so.
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Every video I'm in, every magazine cover, they stretch you; they make you perfect. It's not real life.
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Once you have been hot and cold, you get real appreciative when you got a place to go every day with decent material, a paycheck to come in, and nice people to work with.
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You need to be real enough to be believable, but you don't necessarily have to be real enough to be real. There is a distinction.
