Floyd Skloot Quotes
A risk for a poet-novelist is imbalance: The poems can flatten into prose or lose their intensity of focus; the novels can stall amid lofty writing or literary preciousness and ignore the engine of plot and character.
Quotes to Explore
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I feel that there has been progress made since I was a boy on matters of race, but we have a long way to go.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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Knowing constitutional law helps one at the opera. The trial in 'Billy Budd,' as example, invokes the fugitive slave clause of the U.S. Constitution.
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Let your soul stand cool and composed before a million universes.
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Many are the names of God and infinite the forms through which He may be approached.
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I did every job under the sun from bartending to ushering to temping.
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In the beginning, I found it hard to give my songs away, but now I've realised it's exciting, and it's only making me better.
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It's very likely that I will finish my career as Swiss national coach.
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All of a sudden I discovered that I'm allergic to caviar. It was the perfect metaphor for my life. When I was only able to afford bad caviar, I could certainly eat my fill of it.
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I love people, and the hustle.
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People underestimate the impact they can have on the process through contact with legislators. By being part of an organized group in an area that you have an interest in, you can multiply the impact of your own ideas.
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I'm not the girl next door.
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And so, the youngsters you have today, even though there are far fewer of them - in World War II 16.5 million men and women in uniform, today roughly a million in uniform in spite of the fact that the country is almost twice as large a population as we had in World War II.
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The woman who purposely destroys her unborn child is guilty of murder. With us there is no nice enquiry as to its being formed or unformed.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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Creativity is the key for any child with dyslexia - or for anyone, for that matter. Then you can think outside of the box. Teach them anything is attainable. Let them run with what you see is whatever they need to run with.
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The only questions that really matter are the ones you ask yourself.
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A man has no more character than he can command in a time of crisis.
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I love the Victorian era, and I always have, but I had a leg up on the writing because I was familiar with a lot of the science from the Victorian era. And that led to a massive interest in the science of this time of history.
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I'd love to work with people like Drake, Kendrick Lamar, Rihanna, Bruno Mars, and The Weeknd.
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My writing could be the most beautiful or important piece of prose, but it means nothing if it's boring, if people aren't listening or reading. I think transporting someone, putting them in a story for a few hours, taking them out of their worlds, is what I always strive to do.
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When you're in school, every little mistake is a permanent crack in your windshield. But in the real world, if you're not swerving around and hitting the guard rails every now and then, you're not going fast enough. Your biggest risk isn't failing; it's getting too comfortable.
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Medicine has an immediate impact, the ability to do good. Writing is such a solitary activity.
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A risk for a poet-novelist is imbalance: The poems can flatten into prose or lose their intensity of focus; the novels can stall amid lofty writing or literary preciousness and ignore the engine of plot and character.
