Floyd Skloot Quotes
A risk for a poet-novelist is imbalance: The poems can flatten into prose or lose their intensity of focus; the novels can stall amid lofty writing or literary preciousness and ignore the engine of plot and character.
Quotes to Explore
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I feel that there has been progress made since I was a boy on matters of race, but we have a long way to go.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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Knowing constitutional law helps one at the opera. The trial in 'Billy Budd,' as example, invokes the fugitive slave clause of the U.S. Constitution.
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Let your soul stand cool and composed before a million universes.
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Many are the names of God and infinite the forms through which He may be approached.
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I did every job under the sun from bartending to ushering to temping.
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In the beginning, I found it hard to give my songs away, but now I've realised it's exciting, and it's only making me better.
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It's very likely that I will finish my career as Swiss national coach.
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All of a sudden I discovered that I'm allergic to caviar. It was the perfect metaphor for my life. When I was only able to afford bad caviar, I could certainly eat my fill of it.
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I love people, and the hustle.
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I'm not the girl next door.
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The woman who purposely destroys her unborn child is guilty of murder. With us there is no nice enquiry as to its being formed or unformed.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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The only questions that really matter are the ones you ask yourself.
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A man has no more character than he can command in a time of crisis.
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Oil is ancient wealth in the ground.
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I think that haredi children should study the core subjects and that their parents must work, and I believe that there are many haredim who think like me and would be glad to discover that someone is fighting the radical functionaries and rabbis who embitter their lives.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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We should have scant notion of the gardens of these New England colonists in the seventeenth century were it not for a cheerful traveller named John Josselyn, a man of everyday tastes and much inquisitiveness, and the pleasing literary style which comes from directness, and an absence of self-consciousness.
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I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
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I'm trying not to put myself into anything I'm not 100 percent confident about.
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A risk for a poet-novelist is imbalance: The poems can flatten into prose or lose their intensity of focus; the novels can stall amid lofty writing or literary preciousness and ignore the engine of plot and character.
