James Gray Quotes
I feel like it's a real shame that my generation doesn't make an appearance at the opera.
Quotes to Explore
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I have changed so much as an actor over the years.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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I'm not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I'm very close to.
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When you can score three goals without the most prolific scorer in the world, you know you have a lot of depth, and it gives you confidence.
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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The most striking development of the great depression of 1929 is a profound skepticism of the future of contemporary society among large sections of the American people.
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To die for an idea; it is unquestionably noble. But how much nobler it would be if men died for ideas that were true!
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I'm happy to say that I'm a lesbian in the world. I know there are people who don't want to be called women comedians, but I think it gives a path to the fact that we live in extremely patriarchal times.
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Putin is going to do what Putin is going to do.
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I don't think being a writer who is religious means you have to write about nothing but religion. When I do write about religion, it's to inform the story, not to push a certain agenda.
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I'm completely open about the fact that I don't love every genre of metal. I like what I like. It's got to have some vocal quality and some semblance of melody.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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I don't care whether you use natural gas, ethanol, the battery. You can use anything, just so it's American.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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A lot of actors and actresses pull from past experiences.
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Roddenberry had created quite a complex and at times mysterious character. Guarded, cautious, careful in showing his feelings in expressing his ideas about many things - I found that very interesting.
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My mom bought me a white Strat, but that wasn't what I wanted, so I went to a guitar store in Cleveland and - the guy told me it was a really good deal - made an even swap for a blue Teisco Del Ray. I loved that guitar and used it a bunch.
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Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me.
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No man dies for what he knows to be true. Men die for what they want to be true, for what some terror in their hearts tells them is not true.
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I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
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I believe love just happens once. You can be mistaken, you can think you are in love, but after a while you discover that you're really not. Real love is different.
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It would be quite interesting to use Kermit the Frog to act like a real frog. But it wouldn't produce captivating theatre.
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I feel like it's a real shame that my generation doesn't make an appearance at the opera.
