James Hal Cone Quotes
The conspicuous absence of the lynching tree in American theological discourse and preaching is profoundly revealing, especially since the crucifixion was clearly a first-century lynching.
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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As to the media, they are protected by the First Amendment, as they should be.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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I went to the Westminster College for Men in Missouri, which is what it was called back then, and transferred to the University of Denver where I ultimately got my degree.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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Strivers achieve what dreamers believe.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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What you wear onstage is a reflection of your artistry.
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One of the secrets of a successful life is to be able to hold all of our energies upon one point, to focus all of the scattered rays of the mind upon one place or thing.
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There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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The tricky thing about songwriting is that, more often than not, what you consider to be your best work generates a collective shrug, and something you've simply tossed off bowls people over.
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I learned music from a book on piano theory. I was only interested in knowing about chords. From that, and from the 'Harvard Dictionary of Music,' I learned everything I wanted to know.
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My idea of the modern Stoic sage is someone who transforms fear into prudence, pain into information, mistakes into initiation, and desire into undertaking.
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I have only one real enemy in my life that I know about, and that is John Houseman. Everything begins and ends with that hostility behind the mandarin benevolence.
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The Emperor's New Drugs: Exploding the Antidepressant Myth. p. 92
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I realize you can't please everyone.
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A superior man is one who is free from fear and anxieties.
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Character is like a tree and reputation like a shadow. The shadow is what we think of it; the tree is the real thing.
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I like making pies. I have a bunch of fruit trees in my backyard. My loquat tree sprouted, and I like making loquat pie. They're really hard to peel and everything, and it took me forever, but they make the best pies. They're amazing.
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I think therapy can be very revealing and useful for actors. You start to dig deep and understand certain mechanisms that you hadn't been aware of before and, you know, meanings behind things.
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The conspicuous absence of the lynching tree in American theological discourse and preaching is profoundly revealing, especially since the crucifixion was clearly a first-century lynching.
