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Gandalf saves the world and saves the soul of the world, really.
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I like sleeping a lot.
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To be allowed for the first time in your later career to play leading parts in extremely popular movies is not a situation to worry about.
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My friends are my family.
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For old actors, just remember that inside you're only 14. Acting is for kids. You poor old grown-ups, you've forgotten how to do what kids know automatically.
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I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
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Gandalf is in Middle-earth to keep an eye on everybody, and that can be a rather serious matter.
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Acting is a very personal process. It has to do with expressing your own personality, and discovering the character you're playing through your own experience - so we're all different.
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Ever since the invention of the camera, people have been trying to create 3D, because we see things in 3D, and everyone's aware that the camera doesn't.
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Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.
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Because I was in the business of translating the 'X-Men' from the very successful comics, and taking the most popular book of the 20th century in 'The Lord of the Rings,' and making it into three movies, I hope people realize I wouldn't get involved in anything I didn't think was really going to be worth their while.
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You might be surprised by how interested young people are in older people.
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When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.
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I don't think many people will re-read 'The Da Vinci Code.'
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What's nice for me, having identified myself for years as being rather shy, is now, wherever I am, in public, there tends to be a friendly face who's pleased to see me, and I like that.
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I can't take on all the worries of the world, you know. I can only talk about being gay and being an actor. I'll have to leave those other battles to somebody else.
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There's lots of Tolkien that must be confusing to people.
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When I came out, I told my stepmother Gladys, and she just said she had known for years and was glad I wasn't lying anymore.
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There are a lot of actors - I'm probably one - who are most at home when they're on stage.
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We're very lucky, men, that there are these fabulous parts. Women - once you've done all the parts in Shakespeare, they start running out. So you can pick and choose and find something to energise you.
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Bill Gallagher's new version of 'The Prisoner' is an enthralling commentary on modern culture. It is witty, intelligent and disturbing. I am very excited to be involved.
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Anyone in public life who comes out, comes out primarily for themselves, and their life is immediately improved. That's what happened to me.
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I tend to discourage people from calling me 'Sir Ian,' because I don't like being separated out from the rest of the population. Of course, it can be useful if you're writing an official letter, like trying to get a visa or something passed through Parliament. They're impressed by these things.
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It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.