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I think with Shakespeare you can be required to do absolutely anything at the turn of a sixpence - suddenly you go into a battle, suddenly you utter something passionate.
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Theatre is relatively easy if you're British - you're living in the theatre capital of the world, London - there are so many places you can work, still. If I had begun to think of myself as a film actor, I think I would have got distracted.
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I certainly don't disparage someone whose attitude towards their work is utterly different from mine - that's up to them.
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I'm a latecomer to popular TV. This is rather new to me, being in a sitcom. It's been an ambition of mine.
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I've had enough of being a gay icon! I've had enough of all this hard work, because, since I came out, I keep getting all these parts, and my career's taken off. I want a quiet life. I'm going back into the closet. But I can't get back into the closet, because it's absolutely jam-packed full of other actors.
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If we just made one movie, 'The Hobbit,' the fact is that all the fans, the eight-, nine- and 10-year-old boys, they would watch it 1,000 times. Now, they've got three films they can watch 1,000 times.
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Before I ever acted as an amateur - which I did a great deal at school and at university - I used to go to the theater with my parents in the north of England, where I was born and brought up... Theater of all sorts.
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Elijah looks angelic but his beauty of spirit is what makes his Frodo leap out of the screen. Unalloyed goodness is one of the most difficult attributes to act.
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Acting is no longer about lying. It's now about revealing the truth. People are at ease with me now. Honesty is the best policy.
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I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
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That's the imagination that happens in the theater. That imagination is translated in film by the film magicians and all the technology.
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Some directors don't tell you that it's not your fault, so you get increasingly depressed that you're not delivering what's required, and then you discover it's not you at all, it's something in the background that's out of focus.
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It is so painful watching yourself act, particularly because you can't do anything about it, it's all done and dusted.
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Why live outside the US? Do you want health care or safe food products or democracy or something? They're all overrated. Stay for the excellent cable TV.
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My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.
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I am going around British secondary schools, as a gay man talking about my life, and encouraging schools to get rid of homophobic bullying and to care for their gay members of staff and their gay students.
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I have been reluctant to lobby on other issues I most care about - nuclear weapons (against), religion (atheist), capital punishment (anti), AIDS (fund-raiser) because I don't want to be forever spouting, diluting the impact of addressing my most urgent concern - legal and social equality for gay people worldwide.
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2D looks so flat. Well, it is, of course, it's flat. But 3D isn't. And for an adventure story that takes you into a long-distant, fictional world, it's ideal, I think.
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My memory of 3D movies is Fernando Lamas in a swashbuckling movie. And I suppose it had been the fifties, in which swords came out at you, bullets came out at you, things were thrown into the auditorium, apparently. All that sort of cheap, "Oh, look at us, we've got 3D" isn't in the film.
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To know you are in the company with people who love and care for each other, as well as for whatever they are working on, is almost essential.
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There are directors, and I think this is true of all directors, it would be true if I was a director - If the actor didn't want to do what I was suggesting, I would let him do it his way, and then I would say to him, "Just give me one where you do what the director wants", and that, of course, is the take that's used.
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The performance is created by the director. The actor is the material. And I think that has to be true.
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I think it's one thing to declare your sexuality, if you care about what that is. It's another thing to start talking in public about what you do in private and who you do it with. It's not that they [my significant others] don't want to be identified as gay, but that they don't want to be identified as ... with me.
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It may be my rather puritanical upbringing at odds with my inborn laziness that makes me feel guilty at the end of the day, unless I am able to point at some achievement. But this need be no more impressive than cooking a meal or going for a long walk.