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I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
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The demographic of our audience is young. It also contains a high proportion of black, Jewish and gay people, who have all been encouraged by society to think of themselves as oddities or mutants. I hope that's why X-Men chimes with them - it's certainly why I was attracted to the idea in the first place.
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It's a joy to be up close to Derek Jacobi's work. Alas, we haven't worked very much, over the years, since we were at university together, but I don't think I've missed many of his great shows and performances.
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As for the clarity of the 48 frames, I've heard people say that it looks odd, it's too demanding, there's too much information, you don't know where to look.
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My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.
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In the old-fashioned sitcoms, to be gay was, in itself, funny, and you laughed at the characters rather than with them.
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The performance is created by the director. The actor is the material. And I think that has to be true.
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It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
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I think if I were asked to do as many as fifty takes, I would assume the director had no idea what he wanted, and was just hoping, eventually, to see it.
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I have never wanted to be typecast, one of those actors who plays a variation on a one-note theme. So just as I enjoy playing a wide variety of characters, from good to bad to ugly to cute - so I have enjoyed of late working in film and television, as well as in theatres of various sizes and shapes.
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You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.
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A few years ago, a friend said to me: "You do realize, Ian, when X-Men and Lord of the Rings come out, your life will totally change?" I didn't know what he was talking about, but he was right. My life has totally changed - but in a good way. Unbeknownst to me, it's given me a lot more confidence.