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Imagining the flower-pot attacked itThe kitten flung the violets near and farAnd yet, who knows? This morning, as I backed it,My car was set upon by a parked car.
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Those books of mine that are remunerative - I'm not talking about poetry here - take years to write, and I am never sure they'll be successful. So writing is a risk in more senses than one.
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Why do writers, say, give up a job in economics and decide to write poetry? Or, why do they give up a job in a bank and decide to paint, like Krishan Khanna? They want to convey something.
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I'm not sure anyone can understand a whole life, even their own.
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If you were to ask me to pick my favourite author, well, there are so many of them, I'd really just have to say the first names that came to mind, and I'm sure that I'll later think 'Oh, I should have mentioned that one.'
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I think if something is worth doing, it's worth doing well. And worth thinking about it as well.
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I just love music - by no stretch of the imagination am I professionally competent.
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I don't want to talk too much about the nitty-gritty of writing. It's rather like a pressure cooker with a certain amount of pressure in it - the more you let out, the less you cook.
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The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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I tend to follow a scattershot approach to reading a lot of very diverse subjects interest me, and I'm quite happy to read stuff on any of them.
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I rarely listen to music while writing. If I don't like it, it bothers me, and if I like it, it absorbs me so much I can't write.
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I'm actually a very lazy person. Most of the time, I'm happy to sit around and stare. Or watch bad TV soaps. It's quite rare for me to get inspired by anything, but it could be something small. A view of the Serpentine. A snatch of music. Or a little shred of conversation overheard on a bus, such as, 'You also will marry someone of my choice.'
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As for what I listen to after writing, it could be anything - but I've noticed that if the current book contains music from one tradition, it is music from another tradition that most relaxes me.
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I certainly think it's very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
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There are plenty of good Indian writers in English, and none of us feel we are carrying the burden of being a poster boy.
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'You too will marry a boy I choose,' said Mrs Rupa Mehra firmly to her younger daughter. Lata avoided the maternal imperative by looking around the great lamp-lit garden of Prem Nivas. The wedding-guests were gathered on the lawn. 'Hmm,' she said. This annoyed her mother further.