Phillips Brooks Quotes
Quotes to Explore
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No intelligent man wears a moustache voluntarily - you can write that down.
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I don't think I'm anti-Israeli.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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I think with 'Skinwalkers,' the success of it spoke for itself. Meaning a lot of people wanted to see something new on television.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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Acting in film, you know, I hear all the time, people say 'You did so much better than I thought you would.' So there's an added element of surprise in film, different than in music.
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Everyone freaks out because my character is the only one who has shorts on the Galactica. Well, that is because I went and grabbed a pair of pants and scissors and cut them off and gave her shorts.
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I have never had the ambition to be famous for nothing. You have to do something with your life.
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I have a cousin called Flirta D who was big in the grime world, which made me really cool at school. 'Flirta D's your cousin?' 'Yeah, buddy.' 'He must be a millionaire!'
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A high IQ individual can't deal in an industry that's subjective.
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I've lived my life the way I wanted to, whether scaling the mountains, partying long into the night or having fun playing soccer.
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If an alien with an accounting degree touched down in America, it might conclude that we're a weird cult that spends 11 months living frugally and four crazy weeks buying tons of stuff we don't need. It wouldn't be entirely wrong, either.
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I really think that it's disgusting that Paris is the only place where it is illegal for paps to follow you around. It actually took someone losing their life - Diana, an inspirational woman - and then it changed, but they still won't change it in London! It's horrible!
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Understand that legal and illegal are political, and often arbitrary, categorizations; use and abuse are medical, or clinical, distinctions.
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I think generally, in life, I try to always ensure that there are periodic moments where I do venture out of my comfort zone, because that's what keeps you alive. That's what keeps you from getting stale.
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When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.
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As a longtime fan of talk radio, I'm very worried about the low opinion that conservative hosts and callers have of the American artist. Art is portrayed as a scam, a rip-off and snow job pushed by snobbish elites.
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I'm no more or less antisocial than the next person.
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When I wrote 'The Girl on the Train,' nobody knew who I was, and that's quite a comfortable position to be writing in.
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We are in a good position and should not squander the opportunity to o the right thing.
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Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time.
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I went to church and Jim and his wife, Liz, went to see the home.
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The thing about coming back to the Bay Area, it's like coming home for me.
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Charity should begin at home, but should not stay there.
