Larry King Quotes
I like getting to the meat of things. You can't get it in a five-minute interview. I like to hone a person. I like to make eye contact.
Quotes to Explore
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Google's founders have had a good eye for imagining what technologies will be significant in the near future. No one asked Google to develop self-driving cars, but it helped them with street views for Google Maps.
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David Bowie was awesome the easiest, coolest interview I have ever done.
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As a major contemporary composer, Madonna should not let the eye dictate to the ear.
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It's dangerous to read the Internet about yourself when you're me. Or when you're anyone in the public eye.
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I've been in the public eye now for about 15 or 16 years, and I'm very aware that fame is not a given. I have to maintain it. It's not just something that will always be there. But I've always been a worker. I've never expected be given anything.
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Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
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Most people don't understand that being in the public eye is emotionally exhausting. It takes a lot out of you.
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I use the 'Too Faced Chocolate Bar Eye Shadow' Palette every day. I've tried a bunch of stuff, but this is my favorite. For eyebrows, I use the 'Anastasia Beverly Hills Dipbrow' Pomade in Dark Brown, and for mascara, I don't use anything else but 'Urban Decay Perversion' Mascara.
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I've been in the public eye so long, I can't remember how it was when it was different - from my mid-20s onwards, when my career started to blossom and I became an international, world cups and things.
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I love to go shopping and see what catches my eye.
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I have one weakness: I love meat loaf.
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image.
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You could put all the talent I had into your left eye and still not suffer from impaired vision.
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Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?'
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I knew no one who'd ever been in the public eye.
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When I was five, I discovered a secret box that contained Mummy's stage makeup. It was like finding buried treasure. I tried the rouge, the eye shadow, the lipstick. But I couldn't get the rouge off. Mummy spanked me terribly.
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I wanted to make a film - and I've been wanting to do this for 16 years - about life in care, and bring it to the public's attention, because I had never seen anything, on TV or in the cinema, which said: 'This is how it feels to be a kid in care'.
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I just think there are enough hours in the day. If you just focus and dedicate yourself and approach each task as it presents itself, you can accomplish a lot.
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You have to be forward-moving and able to balance a lot of things at the same time. I attribute a lot of that to the Marine Corps and Juilliard both.
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I still love playing the game, and it's amazing we can do this as a so-called 'job,' and it's amazing we can come to the rink every day and play the game we love.
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Controlling my temper is important, ... Sometimes it's hard, but I try.
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I like getting to the meat of things. You can't get it in a five-minute interview. I like to hone a person. I like to make eye contact.
