Phoebe Waller-Bridge Quotes
I don't think the challenge is asking an audience to like a character; it's inviting them to try and understand them... then making that journey entertaining and worth their while. It's a classic trick, but it's human, and it allows characters to have more depth.
Quotes to Explore
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Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
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The thing about Precious, she's so far from a Hollywood character. She's so honest and real, I definitely felt like I knew her.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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I think one challenge is that having few women in your work environment makes you feel a little isolated and alone. I'm an extrovert; I like talking to people, and I make friends easily, but if your personality is somewhat different, I think you would struggle to connect with people.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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I played a character in 'Ransom' who was as evil as they come.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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The challenge is sort of capturing the issues that Oregonians feel strongly about and moving forward on those.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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I think things are funny when the character is taking it totally seriously.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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I've never purposefully based a character on any one person I know, but I'm certain there are amalgamations that exist.
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It's a new challenge to see how people can change your look. I like words like transformation, reinvention, and chameleon. Because one word I don't like is predictable.
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In any character I ever play, whether she's good or bad or whatever, my most important thing is heart.
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To retire is to begin to die.
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That was totally against the runaway
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I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.
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My parents were working performers, so obviously I saw that there wasn't a lot of fairy tale going on there. It was a precarious world. One that they were deeply committed to and deeply loved, but one that required a lot of hard work.
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I don't think the challenge is asking an audience to like a character; it's inviting them to try and understand them... then making that journey entertaining and worth their while. It's a classic trick, but it's human, and it allows characters to have more depth.
