Phyllida Lloyd Quotes
I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.
Quotes to Explore
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I am a proud Zionist. I can tell you about every blossom that grows in this land. I know the history and the Bible.
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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I think to have the skill set and the ability to physically help others in matters of life and death must be incredibly empowering.
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The winner of the hoop race will be the first to realize her dream, not society's dream, her own personal dream.
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I'll have the chance to do a production number on A Capitol Fourth.
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One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret – how we manage to remove that from our conscience, or whether that's even possible, interested me.
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I think my parents see my life now as very conservative.
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I'm sure there are some commercial applications for Twitter, but they don't really interest me. I mean, 140 characters? I am really not interested in Ashton Kutcher's daily walks. Not for me.
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With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
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It's just a theory really, but I have always thought that your physical surroundings can shape your voice and personality.
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Theater is a way to keep challenging myself.
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While I was serving in the Florida Senate, American soldiers were being killed in Iraq, a war we should have never started, and often by Iranian proxies and their improvised explosive devices.
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I only made $200 a week and I had to buy my own bullets.
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I think, on a larger note, that filmmakers and studios should start to tuck it in a little bit, because films wouldn't have the pressure they have if the word wasn't out about how expensive they were.
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I give two hoots about being typecast. It's not in my hands.
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Culture is the intersection of people and life itself. It's how we deal with life, love, death, birth, disappointment... all of that is expressed in culture.
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The little trouble in the world that is not due to love is due to friendship.
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That's why I've come to you, to seek release from a curse of misery and horror against which I'm powerless to fight alone.
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The nice thing about doing a crossword puzzle is, you know there is a solution.
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Did people care about how a singer sounded live back in the day? I don't really feel like they did. Not everything was being filmed. Today, one huge mess-up, and millions are seeing it. There's a lot more on the line nowadays. We're so cautious and scared of messing up. It adds a lot of stress to a career.
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I had to turn down a part in 'Empire of the Sun.' It would have paid £15,000, which was a year's earnings for me then, but I was offered a season at the 'National Theatre.'
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Television is hard work. It's all hard work. Theatre is hard work. I tell you, I have bruises from changing backstage. Those quick changes are really difficult.
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I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.
