Phyllida Lloyd Quotes
I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.
Quotes to Explore
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I am a proud Zionist. I can tell you about every blossom that grows in this land. I know the history and the Bible.
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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I think to have the skill set and the ability to physically help others in matters of life and death must be incredibly empowering.
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The winner of the hoop race will be the first to realize her dream, not society's dream, her own personal dream.
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I'll have the chance to do a production number on A Capitol Fourth.
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One important theme is the extent to which one can ever correct an error, especially outside any frame of religious forgiveness. All of us have done something we regret – how we manage to remove that from our conscience, or whether that's even possible, interested me.
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I think my parents see my life now as very conservative.
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I'm sure there are some commercial applications for Twitter, but they don't really interest me. I mean, 140 characters? I am really not interested in Ashton Kutcher's daily walks. Not for me.
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With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
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It's just a theory really, but I have always thought that your physical surroundings can shape your voice and personality.
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Theater is a way to keep challenging myself.
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While I was serving in the Florida Senate, American soldiers were being killed in Iraq, a war we should have never started, and often by Iranian proxies and their improvised explosive devices.
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I only made $200 a week and I had to buy my own bullets.
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I think, on a larger note, that filmmakers and studios should start to tuck it in a little bit, because films wouldn't have the pressure they have if the word wasn't out about how expensive they were.
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I give two hoots about being typecast. It's not in my hands.
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Culture is the intersection of people and life itself. It's how we deal with life, love, death, birth, disappointment... all of that is expressed in culture.
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There are more than 200,000 people in Maputo who are nothing more than parasites.
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Because the stores worked, franchisees wanted to build more stores. If your model works, folks who are happy with it will buy out the ones who aren't happy.
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I remember seeing 'A Moon for the Misbegotten' with Colleen Dewhurst, and that made a really big impression on me, and I remember wanting to be like her and I still want to be like Colleen Dewhurst! My mom took me to a lot of theatre growing up, and I also remember seeing Pippin and being like, 'Wow!
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Everybody's a mad scientist, and life is their lab. We're all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos.
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Whether it's theatre or TV or film, you're hoping you're going to bump into a writer that's got a bit of honour in him, that wants to tell a good story and is able to tell it well.
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I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.
