J. G. Ballard Quotes
The spectacular view always made Laing aware of his ambivalent feelings for this concrete landscape. Part of its appeal lay all too clearly in the fact that this was an environment built, not for man, but for man's absence.
Quotes to Explore
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I'm a little sheepish about it. Whenever I meet fans and they're like, 'Oh, you're so sexy,' I just don't get that. There's no way one man can be universally sexy.
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People asked, 'So what are you - a multimillionaire?' I like to say, 'A billionaire wanna-be.'
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I tend to lean toward strong female stories. I want to make things that don't already exist out there.
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As a younger actor, I had delusions. I would dream of Scorsese and De Niro; I would meet people, and it would be like this, and it would change moviemaking in France, and Paris would become the center of the world.
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I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
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There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.
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I always put my fantasies in the realm of goals.
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For most inhabitants of the Arab world, the prevailing cultural attitude toward women - fed and encouraged by Wahhabi doctrine, which is based on Bedouin social norms rather than Islamic jurisprudence - often trumps the rights accorded to women by Islam.
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Pakistan is alarmed by the rising Indian influence in Afghanistan, and fears that an Afghanistan cleansed of the Taliban would be an Indian client state, thus sandwiching Pakistan between two hostile countries. The paranoia of Pakistan about India's supposed dark machinations should never be underestimated.
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That's double-edged: it's amazing that they're bringing me in and showing people new ideas, and at the same time it's a little hard because seventy percent of the time or even higher I'm not going to get those roles.
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'Castle' is a guy living in a fantasy world. He's in his imagination, writing these stories of murder.
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Time is important to me because I want to sing long enough to leave a message. I'm used to singing in churches where nobody would dare stop me until the Lord arrives!
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As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
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People's lives change dramatically over such a long time period, and I think that if you're still vital, and you're still interested in writing and things like that, of course your music evolves and reflects where you are in your life.
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I love the produce section at the grocery store.
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Commercials on television are similar to sex and taxes; the more talk there is about them, the less likely they are to be curbed.
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I would never wear anything too revealing. I'm not a fan of dresses where you look nude... I think that looks a bit desperate.
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Scientists are not movie stars or politicians who will feel insulted if they are not showered with accolades. Scientists are not interested in accolades.
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Before 2000, we were unable to design a single car; all the cars were designed in Japan, Europe or somewhere else. We were just converting.
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A lot of Broadway has that immigrant narrative of America as a place where you can become something else against all odds.
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I had to go to England to really learn about American racism in a way that corroborated my reality. That was critical.
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I don't agree with boarding school. It's not something that I would do with my children, but I think it's something that kind of exists in England in a traditional way, and you do form very close relationships with the girls you go to school with. But it is a strange thing to live in an environment which is solely female.
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I want to see people turn and writhe; make them feel things they cannot see and sometimes do not know.
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The spectacular view always made Laing aware of his ambivalent feelings for this concrete landscape. Part of its appeal lay all too clearly in the fact that this was an environment built, not for man, but for man's absence.
