James McAvoy Quotes
I actually went to drama school at the Royal Scottish Academy of Music & Drama in Glasgow, so I stayed in my home town the whole time. However, I see more of my friends now than I did then. It's strange.
Quotes to Explore
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Your ability to use the principle of autosuggestion will depend, very largely, upon your capacity to concentrate upon a given desire until that desire becomes a burning obsession.
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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Don't try to guess what it is people want and give it to them. Don't ask for a show of hands. Try your best to write what you like, what you think your friends would like and what you think your father would like and then cross your fingers... The most valuable thing you have is your own voice.
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The thoughtful soul to solitude retires.
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I'm from New York, so I'm not a big driver.
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Fortune pays you sometimes for the intensity of her favors by the shortness of their duration. She soon tires of carrying any one long on her shoulders.
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The extra pass and the extra effort on defense always get the job done.
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Waiting for me in Stockholm will be a personal assistant - Katrina from the Ministry for Foreign Affairs - as well the secretary of the Swedish Academy. They'll help us with our things and take us to our hotel. From the moment I arrive, I'll always be together with the other two laureates.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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I don't have business with any politicians.
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Practically, I am interested in television because it keeps me home and it's fast, and I exist in independent films mostly, and you don't get paid for those, or you don't get paid enough.
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A lot of my films have dealt with the dark side of technology and stress that you have to examine the ramifications of progress.
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You trivialize the idea of competition totally, then there's no point in having the competition in the first place, and everybody is getting a trophy.
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There's a monster outside my room, can I have a glass of water?
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Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
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If at first you don't succeed, failure may be your style.
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I think you could find some waves on the west side of Denmark, but I never tried it.
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I've always wanted to do my best to make sure it's clear that I want to keep the focus on my music.
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On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
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All children start their school careers with sparkling imaginations, fertile minds, and a willingness to take risks with what they think.
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I think the biggest way of connecting with people is through your music and kind of saying what you want to say as an artist. And hopefully, you're making something that someone's going to be like, 'This is my favorite song.' That's always your goal, I think, anybody in any genre.
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I think most kids have a sense that it's not supposed to be this way. You're not supposed to hate Monday, or be happy when you don't have to go to school. School should be something that you love. Life should be something that you love.
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I actually went to drama school at the Royal Scottish Academy of Music & Drama in Glasgow, so I stayed in my home town the whole time. However, I see more of my friends now than I did then. It's strange.
