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There are a lot of things we as individuals can't do much about. We can't solve global warming as individuals, or health care problems, but as individuals, most of us can get our kids reading. We can do that.
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My life revolves around my writing, my wife and my son.
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People always come up to me and say, 'you should do standup.' It's nice to discover things about yourself. That keeps everything lively and fun.
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I grew up in a house full of women: my mother, grandmother, three sisters, and two female cats. And I still have the buzz of their conversations in my head. As an adult, I have more female friends than male ones: I just love the way that women talk.
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I read some, and then visited with people involved in this curious, exciting and somewhat misunderstood sub-culture. I met with a fang maker, who offered to fit me for an exquisite pair.
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I'm very conscious that I'm an entertainer. Something like 73 percent of my readers are college graduates, so you can't condescend to people. You've got to tell them a story that they will be willing to pay money to read.
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This is what I believe is most important: getting good books into the hands of kids - books that will make them want to say, 'Wow, that was great. Give me another one to read.'
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I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.
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The fact is that our kids aren't reading books - or frankly, much of anything lately. Schools are under funded, some schools even closing their libraries. Parents have to realize that it's their job, and not the school's job, to get kids into the habit of reading for fun.
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I'm very emotional. I do feel stuff, for better or worse.
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There is a lot to be said for collaboration, and it should be seen as just another way to do things as it is in other forms of writing, such as for television, where it is standard practice.
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I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.
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My favorite books are actually very complicated - 'One Hundred Years of Solitude', 'Ulysses'.
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I'm a very good storyteller; I have a lot of compassion for people. That's very useful for a novelist. A lot of novelists are snots. They're just mean people. I'm not a terribly skilled stylist, nor do I want to be. I want a lot of people to read one of my stories and go, 'That was pretty cool.'
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A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific.
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There are reasons people seek escape in books, and one of those reasons is that the boundary of what can happen is beyond what we do - or would want to see in real life.
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A lot of writers fall in love with their sentences or their construction of sentences, and sometimes that's great, but not everybody is Gabriel Garcia Marquez or James Joyce. A lot of people like to pretend that they are, and they wind up not giving people a good read or enlightening them.
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Somebody said the key to life is to work hard, play hard, rest hard, and I've pretty much adopted that.
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I never read detective novels. I started out in graduate school writing a more serious book. Right around that time I read 'The Day of the Jackal' and 'The Exorcist'. I hadn't read a lot of commercial fiction, and I liked them.
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In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
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My style is colloquial storytelling. It's the way we tell stories to one another - it's not writerly, it's not overdone.
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Schools and parents can team up to find books that kids will really get excited about - that will make them say, 'That was a great experience. Now I know why people get excited about reading.'
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I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.
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It's our job - as parents, grandparents, aunts, uncles - to find books our kids are going to like.