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I love to tell stories. It's a delight for me.
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It's our job - as parents, grandparents, aunts, uncles - to find books our kids are going to like.
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In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
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Every once in a while, I'll have a 'Do you know who I am?' moment, at least in my head. I hate that.
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I always figured there would be a kid audience and an adult audience, and there is. That's true for 'Hunger Games' and 'Twilight' and 'Harry Potter.' And 'Maximum Ride,' for sure. In particular what happens is a lot of parents share the books with their kids, and the mom has read it, and the kids, and they talk about it.
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I love the idea of expanding the universe of games to some extent. At one point, they were kind of limited to boys, fanboys and whatever. I like the idea of liberation for games.
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Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater?
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Always expect the unexpected. Right around Thanksgiving, when the new Alex Cross will be out. It's called Four Blind Mice and it's a pretty amazing story about several murders inside the military.
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I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.
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I think e-books are terrific in their own right. I love being able to get on a plane and basically carry around seven books and it weigh 10 ounces.
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Life is hard, and a lot of people come home tired from work. If they're gonna spend half an hour reading, they want some entertainment and a sense of achievement. So that's what I give them. That's all I'm trying to do. Is that really so wrong?
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As we go through this transition where a lot more people will be reading on devices, nobody is paying enough attention to make sure it's a smooth transition. I believe we still need places where people can go to handle, hold and talk about books, get information about what books are out there, and so on.
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Generally I find that kids ask better questions than you get with adults. Something that kids will do a lot is, they're so nervous, and they're not really paying attention, so they'll ask the same question someone just asked. And you're trying to be nice and not embarrass them any more than they are already.
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For many years I had heard about an underworld consisting of people who act out a vampire fantasy while I was living in New York. Fortunately for me there are also several books on the phenomena.
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If I'm writing and a chapter isn't coming, I just move ahead.
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There are terrific models for success with reluctant readers, but many school systems and state governments need to set aside their 'not invented here' and 'we have more important problems than education' attitudes.
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It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.
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I don't think of myself as a writer.
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I have a folder in my office with about 400 ideas in it. So it will take me another 40 years to get through those.
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I guess I write four or five hours a day, but I do it seven days a week. It's very disciplined, yes, but it's joy for me.
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I didn't care for most of the books I was being asked to read in school. I started reading like crazy right after high school when I got a job in a mental hospital. I was working my way through college, and I did a lot of night shifts, and there was nothing to do. So I read like crazy, serious stuff, all the classics.
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This summer, I'll be bringing out a mystery that involves a young lawyer and a court scene the likes of which I don't think you've ever seen. Hollywood said this is James Patterson meets John Grisham.
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When I was 26, I wrote my first mystery, 'The Thomas Berryman Number', and it was turned down by, I don't know, 31 publishers. Then it won an Edgar for Best First Novel. Go figure.
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I don't smile as much as I should, even though I smile inside a lot.