James Patterson Quotes
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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I consider myself not a conservative libertarian but a radical '60s libertarian.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
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Writing is like a contact sport, like football. You can get hurt, but you enjoy it.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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With sitcom writing, you're trying to write stories.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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The correctness and quality of what you write do not matter; the act of writing does.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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We are like the mechanism of a watch: each part is essential.
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I was always more interested in my books and my writing than going out. It's OK to say I'm a nerd. That's me.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Consider this: Whenever someone is bothering you, and they just won't let up, and they won't listen to anything you have to say, what do you tell them to get them to shut up and go away? 'You're right.' It works every time. But you haven't agreed to their position. You have used 'you're right' to get them to quit bothering you.
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Little children are all writers.
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At 21, you've come out of the craziness. Maybe you've been to university, but now it's time to get serious. It's the age where you make decisions about your life.
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Donald Trump's rise is certainly a symptom of our fading virtue and faith, but ironically, he may well be our only hope for finding our way back to bolder expressions of them.
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If I'm writing and a chapter isn't coming, I just move ahead.
