Nawazuddin Siddiqui Quotes
One should go to the line through the character. You should see their lifestyle in the way they speak.
Quotes to Explore
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Being nervous isn't always the worst thing for me.
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The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.
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My parents never pushed me to ski race. It was my choice and something I really wanted to do. I would have rebelled if they had pushed me, and I wouldn't have had the same passion.
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My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.
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In so far as such a theory is empirically correct it will also tell us what empirical facts it should be possible to observe in a given set of circumstances.
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I think as long as I have a creative outlet, I'm happy.
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A lot of people go in and have to create their own characters, and they do fine with it.
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If you were to ask me to choose between democratic values and wealth, power, prosperity and fame, I will very easily and without any doubt choose democratic values.
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I want to have a long career.
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I've always been an actor, a lowly actor without power, so I've never been corrupted. I've never even directed.
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Writing humor for me is more like a watchful-ness. You have to watch. When you say something funny, or someone else does, it's more like you wait for the piece.
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When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
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I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
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John Mayer and Jack Johnson are two of my all-time favorites. I love Colbie Caillat and really cool, beach-y, guitar, acoustic type music.
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In metros, girls are very independent, conscious and aware. But in the interiors of our country, where education is not given importance, they continue to be oppressed. But it is important for every woman to acknowledge what she wants from herself rather than going for what people expect from her.
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I was getting a little bored with my hair. It's kind of a symbolic thing, just getting rid of the past, moving forward. It's amazing what a reaction you get when you cut your hair.
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The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn.
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Let's have some new cliches.
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Adam Johnson was a revolution when he came on.
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I'm not a quitter. I believe in following things through.
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Faith by its very nature must be tried, and the real trial of faith is not that we find it difficult to trust God, but that God's character has to be cleared in our own minds. Faith in its actual working out has to go through spells of unsyllabled isolation. Never confound the trial of faith with the ordinary discipline of life. Much that we call the trial of faith is the inevitable result of being alive.
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The ability to mingle with so many countries and cultures is extremely valuable for men and women.
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There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you.
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One should go to the line through the character. You should see their lifestyle in the way they speak.
