James Purefoy Quotes
British actors are pretty good, by and large, at turning on at 'action' and off at 'cut.'
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.
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I think I tried to separate indoors and out. And so when he beat me indoors, I did not see that as letting anybody down, I saw it as a good head to head competition, and so it was. It was fine.
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Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I think I was dealt a good hand. I have happy genes.
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I've got pretty good knowledge about pass rushing. But I know I have a lot to work on.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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I'm not really into method acting - the way I was taught was the good old-fashioned British way of just doing your research and getting on with it.
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Good liars are skilled at reading others well, putting them at ease, managing their own emotions, and intuitively sensing how others perceive them.
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The true measure of a man is how he treats someone who can do him absolutely no good.
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I put a lot of pressure on myself. I think something's not good enough, and I won't stop until I feel like I've made it. I'm never satisfied.
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The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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I've had so many hot, cheesy, corny loves of music in my life. I had a very intense Billy Joel period. So once you've really Joeled it up - there's some good periods of Joel; it's not all hot cheese. But I can't judge anyone else for their cheese. I've deep-sea dived in the Gouda.
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What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break.
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Saturdays are set for antique shops. Williamsburg in Brooklyn has some good ones. I get in there and start meddling around with dusty boxes and rickety, worn-in stuff. I like it when I find something with someone else's name on it.
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The success of the storytellers - we're only as good as what we can withhold from the audience. Aspects of surprise and letting things play out for the audience - it's so much a part of their enjoyment. It's one of the great things about working in the movies and being a great storyteller.
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..the thing was to choose one a ready-made object that you were not attracted by.. ..and that was difficult because anything becomes beautiful if you look at it long enough.. .My intention was to completely eliminate the existence of taste, bad or good or indifferent.
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I feel what I feel, and in the Premier League, there are some special things, but the pitch is the same. What I believe is good and will be good.
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I want to get in on how the media business is changing, how people are telling stories in new ways.
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I couldn't have children, so that's the bad side. But compared to everything else I have, it's not all that terribly bad. I count my winners rather than my losers.
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British actors are pretty good, by and large, at turning on at 'action' and off at 'cut.'
