James Purefoy Quotes
British actors are pretty good, by and large, at turning on at 'action' and off at 'cut.'
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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I'm a good Muslim and I'm only interested in Islam.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.
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I think I tried to separate indoors and out. And so when he beat me indoors, I did not see that as letting anybody down, I saw it as a good head to head competition, and so it was. It was fine.
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Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I think I was dealt a good hand. I have happy genes.
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I've got pretty good knowledge about pass rushing. But I know I have a lot to work on.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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Good comics gravitate to each other; you know who's your type of person by watching them onstage, hopefully.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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I never was able to do karate. That's calling me a good actor. I act like I can do anything.
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I'm not really into method acting - the way I was taught was the good old-fashioned British way of just doing your research and getting on with it.
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A lot of people put pressure on me, but I don't think I feel that type of pressure. It is more of a good thing that people are trying to do that.
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Good liars are skilled at reading others well, putting them at ease, managing their own emotions, and intuitively sensing how others perceive them.
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I always take off my makeup. My mother always told me to do this, and I never go to bed without doing it. I use a good moisturizer and Mario Badescu face wash.
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The true measure of a man is how he treats someone who can do him absolutely no good.
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Boxing gives you such a good workout, although I've stopped sparring. When your hand speed goes, you're going to get caught, and you can't afford to take cumulative smacks on the chops when you're a writer.
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The plot of my 'Phantom' is pretty much mine. It's based on the Gaston Leroux book - I've taken a lot of liberties with it.
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Greece has given Europe the opportunity to fix a defect in the euro zone, that is the fact that we did not have a fiscal union. Now steps have been taken to begin that process. And there is more solidarity from nation to nation, and that is a good thing. That has been Greece's gift to Europe.
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Every actor has their own method, so I'm not suggesting what works for me will work for everybody else.
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While monetary policy can contribute to growth by supporting a durable expansion in a context of price stability, it cannot reliably affect the long-run sustainable level of the economy's growth.
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British actors are pretty good, by and large, at turning on at 'action' and off at 'cut.'
