James Rosenquist Quotes
Quotes to Explore
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I am an American citizen born in Kuwait of Egyptian parents. I grew up in Great Britain, Malaysia, and Egypt and have lived in the United States since 1965, when I was seventeen.
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I made up 'Badlands'; anything I say, goes. I came to realize I was materializing a metaphor for my mental state.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I have often said one of the reasons more blacks don't support Republicans is because they don't trust the GOP establishment.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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We are evolving as one species - not only as Americans, Syrians, Russians, Chinese, and jihadists. We cannot attack one without inflicting forms of violence and destruction upon ourselves. This is our new reality.
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I'm not such a nuisance to the world, and the kick I get out of living can, I suppose, justify the impositions I make on it. But when life isn't so fun, well, then I start to wonder. What's the point of going on if it's just trouble for us both? My friends will miss me, I am told.
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My grandfather would live to see his children become doctors and ministers, accounts and professors.
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I'm probably proudest of being able to lift a lot of us out of the 'hood. That's the biggest thing, that I've been able to employ a lot of people and give them opportunities.
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I don't expect to live forever, but I do intend to hang on as long as possible.
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What makes Ireland inclined toward the drama is that it's a great country for conversation.
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In the late '70s, I was falling into the middle lane. I was way too country to be rock, and way too rock to be a country act.
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I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
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I'm in no way suggesting that my opinion matters more than anyone else's, of course, but the only thing that bothers me is apathy. People that sit out of the process and complain about it, or pretend that politics isn't a part of their everyday lives.
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I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
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I'm not a god - I do bad things.
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It is from weakness that people reach for dictators and concentrated government power. Only the strong can be free. And only the productive can be strong.
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Life is much shorter than I imagined it to be.
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We danced on the lip of the volcano, so to speak. We were young, too. And New York was still a big, open city where anything could happen and anyone could be star. Rents were cheap, creativity was encouraged, and bottle service was still 20 years away. That was the era the Club Kids came into.
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The modern cineplexes are mundane, dull boxes. But 'The Majestic' pays tribute to the movie palaces that made people feel like royalty. It honors a time when pictures helped Americans get through grim periods like the blacklist and the war.
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I aspire to make a record that sounds better 10 listens in than it does after two, and still, at 50 listens, you're picking out things that add a depth and a thoughtfulness to it; there's enough in there that you can still be extracting pieces out of it.
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I hate getting old, but I'm sticking with it!
