Frankie Muniz Quotes
Quotes to Explore
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I have a couple of gold teeth. I had braces for a year but I didn't wear the retainer.
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No, but it's not because I'm getting older that I'm trying to accelerate. But something very curious is happening: The older I get, the more ideas I'm getting.
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By channeling my inner heiress, I created a new opportunity for young heiresses.
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Knowledge has outstripped character development, and the young today are given an education rather than an upbringing.
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I am prepared to oppose a Jim Crow army till I rot in jail.
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It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
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When George W. Bush entered office, the national debt was $5 trillion. When he left, it was $10 trillion. I think the administration spent too much money.
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I don't see myself as a diva at all.
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By constant contemplation of excellence, we clear our selfhood of all dross and impurities.
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In nerve-free multicellular organisms, the relationships of the cells to each other can only be of a chemical nature. In multicellular organisms with nerve systems, the nerve cells only represent cells like any others, but they have extensions suited to the purpose which they serve, namely the nerves.
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I love soccer. My father is from Argentina and my mother is from El Salvador. I grew up watching Argentinean soccer. I get really worked up watching soccer. It's in my blood.
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I knew what normalcy was, and I wasn't having it.
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I want to be able to do work where I think it's very forward, but I also want it to exist in a big way and have an effect on a lot of people.
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If we lose sight of the fact that writing is entertainment, then writing is doomed.
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One of the main lessons I have learned during my five years as Secretary-General is that broad partnerships are the key to solving broad challenges. When governments, the United Nations, businesses, philanthropies and civil society work hand-in-hand, we can achieve great things.
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I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.
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If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
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To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
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Journalists immediately think of me as a resource for a quote or comment because they know that I will be available to offer fresh insight and meet their deadlines.
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In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it's a loss that has done a great deal of damage to modern art. Painting is a return to origins.
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In 'Tree of Life,' the cinematography records a small story, a celebration of the courage of everyday life. But it does it so up close and so effortlessly that it has the effect of elevating the intimacy of the story to a grand scale.
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I know I am no better than anyone else in this world.
