Mason Cooley Quotes
Quotes to Explore
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The directors told me they were going to recruit good players with whom I could play decent football. Marko Marin, Oscar and me, we like to have the ball at our feet. Juan Mata likes the ball; so does Ramires.
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Marginal tax rates are the lowest they've been in generations, and all we can talk about is tax cuts.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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Though many corporations honor commitments to reduce dangerous pollution, some cut corners and cheat. The marketplace doesn't always have mechanisms to correct bad actors.
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I've personally backed off from direct political involvement.
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Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.
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I don't have a high IQ, but I've always liked nerds and quirky guys.
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You just have to go to bat and take a swing. And if you're not right for a part, or it goes to a British man, they may remember that you showed up, knew your lines and were good. And maybe they'll call you in for something else.
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No matter that patriotism is too often the refuge of scoundrels. Dissent, rebellion, and all-around hell-raising remain the true duty of patriots.
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I wasn't being bullied at school at this point. I had a group of friends, and I was isolated because I wasn't communicating with my parents. I wasn't telling them what I was going through.
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What's the most important thing in the world? It's love, and I look at that as an energy, not a sentiment.
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With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
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I often have the impression that the book I've just finished isn't satisfied: that it rejects me because I haven't successfully completed it. Because there is no going back, I'm forced to begin a new book so I can finally complete the previous one.
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I'm a terrific mimic, and you can feel my funny bone.
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'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
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The corporate right fires up the religious right against gay marriage and abortion and uses their votes to push their deregulation and tax cuts for the rich. It's an old trick. The House of Saud has the same arrangement with the Mullahs in Saudi Arabia.
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I want to play until the end.
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I don't consider myself a competition to anyone. There is ample space for everyone here. When there are directors who create characters for me, why should I feel bothered or insecure? When it comes to updating myself, I work very hard to relate to the emotions of characters I play.
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My patriotism is subservient to my religion. I cling to India like a child to its mother’s breast, because I feel that she gives me the spiritual nourishment I need. She has the environment that responds to my highest aspiration.
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I don't have joy in watching myself, whereas, actually, I quite like listening to my own music.
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Experience is never at bargain price.
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After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.
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Well-behaved: he always speaks as if his mother might be listening.
