Mason Cooley Quotes
Quotes to Explore
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I always wanted to do creative things, but I was really interested in entrepreneurship. My family comes from a very entrepreneurial culture, so business was always something I was interested in.
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I started wearing all black around the time I got into Nirvana. I first heard 'Smells Like Teen Spirit' when I was about 12, and I remember jumping on my bed, so excited about it.
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The names are bigger, the show is worldwide, but I get a royal pass into life in the broadcasting business.
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They used to tease me at the 'Oprah' show, 'Are you really going to do another white Shaker kitchen, with white subway tile and stainless steel appliances?' And my answer is, 'I can vary it a bit, but I'm never going to err from classic materials.'
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I paint objects as I think them, not as I see them.
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With all the great products that are apparently out there that are undetectable, for me to take something like that... when people take things that now aren't even being tested for, does it make any sense?
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I've done some really off-the-wall stuff and stuff that people might not expect. That's one way to work through people's expectations of you.
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How many times have you opened a book, read the first few sentences and made a snap decision about whether to buy it? When it's your book that's coming under this casual-but-critical scrutiny, you want the reader to be instantly hooked. The way to accomplish this is to create compelling opening sentences.
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I wouldn't say I was bullied, but I was definitely a bit of an outcast. It was more the kids thinking I thought I was cool. I started homeschooling in fifth grade, and I was much happier.
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You watch 'Whale Rider,' and I defy you to not get teary-eyed at the end there.
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Sometimes I'm more stubborn than I am smart.
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I've always said that I benefit, as an actor, from not having the illusion of security.
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When I chose Mississippi State, of course I dreamed about being a big-time college football player. But I'm so grateful that actually became a reality - and it became a reality in a small town.
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The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.
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We had times in '66 and '67 when we would pick up a platoon of privates out of the receiving barracks the week before we even graduated the platoon that we were on!
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After school I moved to London to get involved in music. I took the whole thing very seriously.
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There is a saying in Baltimore that crabs may be prepared in fifty ways and that all of them are good.
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When I was born, some of our relatives came to our house and told my mother, 'Don't worry, next time you will have a son.'
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Looking for God-or Heaven-by exploring space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters or Stratford as one of the places. Shakespeare is in one sense present at every moment in every play.
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If you can turn your wants into your needs, you can do anything.
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People are so codified - it's sad.
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I have this colored friend Betty well, I never thought about it one way or the other until one day I went over her house for the first time and her father opened the door and I was surprized to see he was colored. Because, to me I was so used to her she always looked normal.
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I can turn around and scream and get angry but I turn around and I forget about it.
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While we are reading, we are all Don Quixote.
